Hljóðsafn.is

Tónskáld:

Eiríkur Þórleifsson 1973; Frank Þórir Hall 1972; Guðmundur Steingrímsson 1972

Útgefandi:

Frú Emilía

Athugasemd:

Skárren ekkert eru: Eiríkur Þórleifsson, Frank Þ. Hall og Guðmundur Steingrímsson.

meira ...

Tónskáld:

Eiríkur Þórleifsson 1973; Frank Þórir Hall 1972; Guðmundur Steingrímsson 1972

Útgefandi:

Frú Emilía

Athugasemd:

Skárren ekkert eru: Eiríkur Þórleifsson, Frank Þ. Hall og Guðmundur Steingrímsson.

meira ...

Tónskáld:

Eiríkur Þórleifsson 1973; Frank Þórir Hall 1972; Guðmundur Steingrímsson 1972

Útgefandi:

Frú Emilía

Athugasemd:

Skárren ekkert eru: Eiríkur Þórleifsson, Frank Þ. Hall og Guðmundur Steingrímsson.

meira ...

Tónskáld:

Eiríkur Þórleifsson 1973; Frank Þórir Hall 1972; Guðmundur Steingrímsson 1972; Valgeir Skagfjörð 1956

Útgefandi:

Frú Emilía

Athugasemd:

Skárren ekkert eru: Eiríkur Þórleifsson, Frank Þ. Hall og Guðmundur Steingrímsson.

meira ...

Tónskáld:

Ranglin, Ernest, 1932-

Útgefandi:

Frú Emilía

Athugasemd:

Skárren ekkert eru: Eiríkur Þórleifsson, Frank Þ. Hall og Guðmundur Steingrímsson.

meira ...

Tónskáld:

Eiríkur Þórleifsson 1973; Frank Þórir Hall 1972; Guðmundur Steingrímsson 1972

Textahöfundur:

Skárren ekkert (hljómsveit)

Útgefandi:

Frú Emilía

Athugasemd:

Skárren ekkert eru: Eiríkur Þórleifsson, Frank Þ. Hall og Guðmundur Steingrímsson. Textinn er unninn af Skárren ekkert upp úr þýskri þýðingu Thomas Brasch á Kirsuberjagarðinum.

meira ...

Tónskáld:

Eiríkur Þórleifsson 1973; Frank Þórir Hall 1972; Guðmundur Steingrímsson 1972; Valgeir Skagfjörð 1956

Útgefandi:

Frú Emilía

Athugasemd:

Skárren ekkert eru: Eiríkur Þórleifsson, Frank Þ. Hall og Guðmundur Steingrímsson.

meira ...

Tónskáld:

Eiríkur Þórleifsson 1973; Frank Þórir Hall 1972; Guðmundur Steingrímsson 1972

Útgefandi:

Frú Emilía

Athugasemd:

Skárren ekkert eru: Eiríkur Þórleifsson, Frank Þ. Hall og Guðmundur Steingrímsson.

meira ...

Tónskáld:

Eiríkur Þórleifsson 1973; Frank Þórir Hall 1972; Guðmundur Steingrímsson 1972

Útgefandi:

Frú Emilía

Athugasemd:

Skárren ekkert eru: Eiríkur Þórleifsson, Frank Þ. Hall og Guðmundur Steingrímsson.

meira ...

Tónskáld:

Eiríkur Þórleifsson 1973; Frank Þórir Hall 1972; Guðmundur Steingrímsson 1972

Útgefandi:

Frú Emilía

Athugasemd:

Skárren ekkert eru: Eiríkur Þórleifsson, Frank Þ. Hall og Guðmundur Steingrímsson.

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Ægir Sindri Bjarnason 1993-

Útgefandi:

Why not? plötur!

Athugasemd:

Upplýsingar á Bandcamp: This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið.  It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs. For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those. Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music. I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours. At some point I decided to collect them all in the same place and let them stand as they are. So here they are. BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door. It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it. released November 20, 2023 Afritað 19.3. 2024 af: https://aegir.bandcamp.com/album/bridges-ii

meira ...

Tónskáld:

Maxi Jazz, 1957-; Rollo, 1966-; Sister Bliss, 1971-; Catto, Jamie, 1968-

Útgefandi:

Spor / Skífan

meira ...

Tónskáld:

Gittelman, Steve; Dyke, Jim; Dias, J.; Brown, Peter, 1953-; Rans, Robert

Útgefandi:

Spor / Skífan

meira ...

Tónskáld:

Fatboy Slim, 1963-

Textahöfundur:

Fatboy Slim, 1963-

Útgefandi:

Spor / Skífan

meira ...

Tónskáld:

Keating, Theo

Textahöfundur:

Keating, Theo

Útgefandi:

Spor / Skífan

meira ...

Tónskáld:

Lightfoot, Gordon, 1938-

Textahöfundur:

Lightfoot, Gordon, 1938-

Útgefandi:

Spor / Skífan

meira ...

Tónskáld:

McCluskey, Andy, 1959-

Textahöfundur:

McCluskey, Andy, 1959-

Útgefandi:

Spor / Skífan

meira ...

Tónskáld:

Bangalter, Thomas, 1975-; Bob Sinclar, 1969-

Útgefandi:

Spor / Skífan

meira ...

Tónskáld:

Westerlund, David, 1977-

Textahöfundur:

Söderman, Robin, 1974-

Útgefandi:

Spor / Skífan

meira ...

Tónskáld:

Kappmeier, Ralf; Lappessen, Sascha, 1970-; Alisson, Thomas

Útgefandi:

Spor / Skífan

Athugasemd:

Thomas Alisson er listamannsnafn Thomas Lüdke.

meira ...

Tónskáld:

Ricco, Luigi; Crotti, Ambrogio; Lacera, David Granados

Útgefandi:

Spor / Skífan

meira ...

Tónskáld:

Dale, Mark van, 1964-; De Koning, Erik, 1971-; Wallmann; Martell; Crosby

Útgefandi:

Spor / Skífan

Athugasemd:

Mark van Dale er sviðsnafn Marc Leonard Pols.

meira ...

Tónskáld:

De Donatis, Tommaso; Terzi, Orhan, 1964-

Útgefandi:

Spor / Skífan

Athugasemd:

DJ Quicksilver er Orhan Terzi.

meira ...

Tónskáld:

Edwards, Bernard, 1952-1996; Rodgers, Nile, 1952-

Textahöfundur:

Edwards, Bernard, 1952-1996; Rodgers, Nile, 1952-

Útgefandi:

Spor / Skífan

meira ...

Tónskáld:

Michel, S. Prakazrel, 1972-; Gibb, Barry, 1946-

Textahöfundur:

Michel, S. Prakazrel, 1972-; Gibb, Barry, 1946-

Útgefandi:

Spor / Skífan

Athugasemd:

Pras er Prakazrel Samuel Michel.

meira ...

Tónskáld:

Smith, James Todd, 1968-; Combs, Sean, 1969-; Lawrence, Ron, 1965-; Christopher, F.; D'Arby, Terence Trent, 1962-; Oliver, Sean, -1990

Útgefandi:

Spor / Skífan

Athugasemd:

LL Cool J er sviðsnafn James Todd Smith.

meira ...

Tónskáld:

Bachman, Randy, 1943-

Textahöfundur:

Bachman, Randy, 1943-

Útgefandi:

Spor / Skífan

meira ...

Tónskáld:

Bogaert, Jo, 1956-; Kamosi, Manuela, 1972-

Textahöfundur:

Kamosi, Manuela, 1972-

Útgefandi:

Spor / Skífan

Athugasemd:

Thomas de Quincey er dulnefni Jo Bogaert.

meira ...

Tónskáld:

Pedersen, Sune M.; Ringdal, Jens C.

Textahöfundur:

Pedersen, Sune M.; Ringdal, Jens C.

Útgefandi:

Spor / Skífan

meira ...

Tónskáld:

Páll Ivan Pálsson 1981-

Útgefandi:

Tónlist frá Eiðum

Athugasemd:

Upplýsingar á Bandcamp (https://pallivan.bandcamp.com/album/ambient-s-rdeig): released July 11, 2023 Afritað 19.9. 2023 af: https://pallivan.bandcamp.com/album/ambient-s-rdeig

meira ...

Tónskáld:

Árni Thorsteinson 1870-1962

Textahöfundur:

Guðmundur Guðmundsson 1874-1919 (skólaskáld)

Útgefandi:

Kvennakórinn Lissý

Athugasemd:

Undirleikur á píanó: Guðrún A. Kristinsdóttir.

meira ...

Tónskáld:

Eyþór Stefánsson 1901-1999

Textahöfundur:

Hulda 1881-1946

Útgefandi:

Kvennakórinn Lissý

Athugasemd:

Einsöngur: Margrét Bóasdóttir. Undirleikur á píanó: Guðrún A. Kristinsdóttir.

meira ...

Tónskáld:

Skúli Halldórsson 1914-2004

Textahöfundur:

Jón Thoroddsen 1818-1868

Útgefandi:

Kvennakórinn Lissý

Athugasemd:

Undirleikur á píanó: Guðrún A. Kristinsdóttir.

meira ...

Tónskáld:

Páll Ísólfsson 1893-1974

Textahöfundur:

Davíð Stefánsson 1895-1964

Útgefandi:

Kvennakórinn Lissý

meira ...

Tónskáld:

Gunnar Reynir Sveinsson 1933-2008

Textahöfundur:

Þorgeir Þorgeirson 1933-2003

Höfundur frumtexta:

Heinesen, William, 1900-1991

Útgefandi:

Kvennakórinn Lissý

meira ...

Tónskáld:

Atli Heimir Sveinsson 1938-2019

Textahöfundur:

höfundur ókunnur

Útgefandi:

Kvennakórinn Lissý

meira ...

Tónskáld:

Þorkell Sigurbjörnsson 1938-2013

Textahöfundur:

Páll V. G. Kolka 1895-1971

Útgefandi:

Kvennakórinn Lissý

meira ...

Tónskáld:

íslenskt þjóðlag

Textahöfundur:

þjóðvísur

Útgefandi:

Kvennakórinn Lissý

meira ...

Tónskáld:

Páll Ísólfsson 1893-1974

Textahöfundur:

Davíð Stefánsson 1895-1964

Útgefandi:

Kvennakórinn Lissý

Athugasemd:

Undirleikur á píanó: Guðrún A. Kristinsdóttir.

meira ...

Tónskáld:

Pergolesi, Giovanni Battista, 1710-1736

Útgefandi:

Kvennakórinn Lissý

meira ...

Tónskáld:

íslenskt sálmalag

Textahöfundur:

Hallgrímur Pétursson 1614-1674

Útgefandi:

Kvennakórinn Lissý

meira ...

Tónskáld:

Emil Thoroddsen 1898-1944

Textahöfundur:

Hulda 1881-1946

Útgefandi:

Kvennakórinn Lissý

meira ...

Tónskáld:

Sigfús Einarsson 1877-1939

Textahöfundur:

Guðmundur Guðmundsson 1874-1919 (skólaskáld)

Útgefandi:

Kvennakórinn Lissý

Athugasemd:

Undirleikur á píanó: Guðrún A. Kristinsdóttir.

meira ...

Tónskáld:

Rodgers, Richard, 1902-1979

Textahöfundur:

Flosi Ólafsson 1929-2009 (þýðing)

Höfundur frumtexta:

Hammerstein, Oscar, 1895-1960

Útgefandi:

Kvennakórinn Lissý

Athugasemd:

Undirleikur á píanó: Ragnar L. Þorgrímsson.

meira ...

Tónskáld:

Elísabet Jónsdóttir 1869-1945

Textahöfundur:

Hulda 1881-1946

Útgefandi:

Kvennakórinn Lissý

Athugasemd:

Einsöngur: Hildur Tryggvadóttir 1958. Undirleikur á píanó: Guðrún A. Kristinsdóttir.

meira ...

Tónskáld:

Skúli Halldórsson 1914-2004

Textahöfundur:

Steingrímur Thorsteinsson 1831-1913

Útgefandi:

Kvennakórinn Lissý

Athugasemd:

Undirleikur á píanó: Guðrún A. Kristinsdóttir.

meira ...

Tónskáld:

íslenskt þjóðlag

Textahöfundur:

Rósa Guðmundsdóttir 1795-1855

Útgefandi:

Kvennakórinn Lissý

Athugasemd:

Undirleikur á píanó: Guðrún A. Kristinsdóttir.

meira ...

Tónskáld:

Sigvaldi S. Kaldalóns 1881-1946

Textahöfundur:

Ragnar Ásgeirsson 1895-1973

Útgefandi:

Kvennakórinn Lissý

Athugasemd:

Undirleikur á píanó: Guðrún A. Kristinsdóttir.

meira ...

Tónskáld:

Sigvaldi S. Kaldalóns 1881-1946

Textahöfundur:

Grímur Thomsen 1820-1896

Útgefandi:

Kvennakórinn Lissý

meira ...

Tónskáld:

íslenskt þjóðlag

Textahöfundur:

Magnús Grímsson 1825-1860

Útgefandi:

Kvennakórinn Lissý

meira ...

Tónskáld:

Sigfús Halldórsson 1920-1996

Textahöfundur:

Gestur Guðfinnsson 1910-1984

Útgefandi:

Kvennakórinn Lissý

Athugasemd:

Undirleikur á píanó: Ragnar L. Þorgrímsson.

meira ...

Tónskáld:

Sigfús Halldórsson 1920-1996

Textahöfundur:

Indriði G. Þorsteinsson 1926-2000

Útgefandi:

Kvennakórinn Lissý

Athugasemd:

Undirleikur á píanó: Ragnar L. Þorgrímsson.

meira ...

Tónskáld:

Sigfús Halldórsson 1920-1996

Textahöfundur:

Tómas Guðmundsson 1901-1983

Útgefandi:

Kvennakórinn Lissý

Athugasemd:

Undirleikur á píanó: Ragnar L. Þorgrímsson.

meira ...

Tónskáld:

Wagner, Richard, 1813-1883

Textahöfundur:

Gísli Konráðsson 1787-1877

Útgefandi:

Kvennakórinn Lissý

Athugasemd:

Úr Hollendingnum fljúgandi. Einsöngur: Hildur Tryggvadóttir. Undirleikur á píanó: Guðrún A. Kristinsdóttir.

meira ...

Tónskáld:

Donizetti, Gaetano, 1797-1848

Textahöfundur:

Romani, Felice, 1788-1865

Útgefandi:

Kvennakórinn Lissý

Athugasemd:

Úr Anna Bolena. Undirleikur á píanó: Guðrún A. Kristinsdóttir.

meira ...

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