Sigurbjartur Sturla Atlason 1992-; Logi Pedro Stefánsson 1992-; Aron Can Gultekin 1999-; Arnar Ingi Ingason 1996-
Textahöfundur:
Sigurbjartur Sturla Atlason 1992-; Aron Can Gultekin 1999-
Útgefandi:
Les Frères Stefson
Athugasemd:
Sturla Atlas er Sigurbjartur Sturla Atlason.
[Upplýsingar um höfunda á streymisveitunni Tidal.]
Hljóðskrá 3.7. 2023 frá Sony Music Entertainment Denmark.
Sturla Atlas er Sigurbjartur Sturla Atlason.
[Upplýsingar um höfunda og upptökustjóra á streymisveitunni Tidal.]
Upptökustjórn: Arnar Ingi Ingason og Logi Pedro Stefánsson.
Hljóðskrá 3.7. 2023 frá Sony Music Entertainment Denmark.
Jóhann Kristófer Stefánsson 1992-; Logi Pedro Stefánsson 1992-; Sigurbjartur Sturla Atlason 1992-
Textahöfundur:
Jóhann Kristófer Stefánsson 1992-; Logi Pedro Stefánsson 1992-; Sigurbjartur Sturla Atlason 1992-
Útgefandi:
Les Frères Stefson
Athugasemd:
Sturla Atlas er Sigurbjartur Sturla Atlason.
[Upplýsingar um höfunda og upptökustjóra á streymisveitunni Tidal.]
Upptökustjórn: Logi Pedro Stefánsson.
Hljóðskrá 3.7. 2023 frá Sony Music Entertainment Denmark.
Sveinbjörn B. Thorarensen 1984-; Sigurbjartur Sturla Atlason 1992-; Logi Pedro Stefánsson 1992-
Textahöfundur:
Sigurbjartur Sturla Atlason 1992-; Logi Pedro Stefánsson 1992-
Útgefandi:
Les Frères Stefson
Athugasemd:
Sturla Atlas er Sigurbjartur Sturla Atlason.
[Upplýsingar um höfunda og upptökustjóra á streymisveitunni Tidal.]
Upptökustjórn: Logi Pedro Stefánsson og Sveinbjörn Thorarensen.
Hljóðskrá 3.7. 2023 frá Sony Music Entertainment Denmark.
Sigurbjartur Sturla Atlason 1992-; Logi Pedro Stefánsson 1992-
Textahöfundur:
Sigurbjartur Sturla Atlason 1992-; Logi Pedro Stefánsson 1992-
Útgefandi:
Les Frères Stefson
Athugasemd:
Sturla Atlas er Sigurbjartur Sturla Atlason.
[Upplýsingar um höfunda og upptökustjóra á streymisveitunni Tidal.]
Upptökustjórn: Logi Pedro Stefánsson.
Hljóðskrá 3.7. 2023 frá Sony Music Entertainment Denmark.
Arnar Ingi Ingason 1996-; Jóhann Kristófer Stefánsson 1992-; Logi Pedro Stefánsson 1992-; Sigurbjartur Sturla Atlason 1992-
Textahöfundur:
Logi Pedro Stefánsson 1992-; Sigurbjartur Sturla Atlason 1992-; Jóhann Kristófer Stefánsson 1992-
Útgefandi:
Les Frères Stefson
Athugasemd:
Sturla Atlas er Sigurbjartur Sturla Atlason.
[Upplýsingar um höfunda og upptökustjóra á streymisveitunni Tidal.]
Upptökustjórn: Logi Pedro Stefánsson.
Hljóðskrá 3.7. 2023 frá Sony Music Entertainment Denmark.
Arnar Ingi Ingason 1996-; Jóhann Kristófer Stefánsson 1992-; Logi Pedro Stefánsson 1992-; Sigurbjartur Sturla Atlason 1992-
Textahöfundur:
Logi Pedro Stefánsson 1992-; Sigurbjartur Sturla Atlason 1992-; Jóhann Kristófer Stefánsson 1992-
Útgefandi:
Les Frères Stefson
Athugasemd:
Sturla Atlas er Sigurbjartur Sturla Atlason.
[Upplýsingar um höfunda og upptökustjóra á streymisveitunni Tidal.]
Upptökustjórn: Logi Pedro Stefánsson.
Hljóðskrá 3.7. 2023 frá Sony Music Entertainment Denmark.
Sturla Atlas er Sigurbjartur Sturla Atlason.
[Upplýsingar um höfunda og upptökustjóra á streymisveitunni Tidal.]
Upptökustjórn: Arnar Ingi Ingason og Logi Pedro Stefánsson.
Hljóðskrá 3.7. 2023 frá Sony Music Entertainment Denmark.
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Hugar eru Bergur Þórisson 1993- og Pétur Jónsson 1994-.
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Kippi kaninus er Guðmundur Vignir Karlsson 1978-.
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Vantar upplýsingar um Moss Kissing.
Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip):
"From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022.
The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like.
This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music."
--
Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany.
released September 8, 2023
All tracks produced by Moss Kissing
Mastered by Guðmundur Ari Arnalds
Artwork by James Usill
Original photo by Valentina Gayoso
Afritað 3.10. 2023 af:
https://post-dreifing.bandcamp.com/album/notes-on-trip
Vantar upplýsingar um Moss Kissing.
Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip):
"From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022.
The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like.
This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music."
--
Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany.
released September 8, 2023
All tracks produced by Moss Kissing
Mastered by Guðmundur Ari Arnalds
Artwork by James Usill
Original photo by Valentina Gayoso
Afritað 3.10. 2023 af:
https://post-dreifing.bandcamp.com/album/notes-on-trip
Vantar upplýsingar um Moss Kissing.
Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip):
"From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022.
The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like.
This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music."
--
Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany.
released September 8, 2023
All tracks produced by Moss Kissing
Mastered by Guðmundur Ari Arnalds
Artwork by James Usill
Original photo by Valentina Gayoso
Afritað 3.10. 2023 af:
https://post-dreifing.bandcamp.com/album/notes-on-trip
Vantar upplýsingar um Moss Kissing.
Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip):
"From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022.
The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like.
This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music."
--
Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany.
released September 8, 2023
All tracks produced by Moss Kissing
Mastered by Guðmundur Ari Arnalds
Artwork by James Usill
Original photo by Valentina Gayoso
Afritað 3.10. 2023 af:
https://post-dreifing.bandcamp.com/album/notes-on-trip
Vantar upplýsingar um Moss Kissing.
Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip):
"From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022.
The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like.
This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music."
--
Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany.
released September 8, 2023
All tracks produced by Moss Kissing
Mastered by Guðmundur Ari Arnalds
Artwork by James Usill
Original photo by Valentina Gayoso
Afritað 3.10. 2023 af:
https://post-dreifing.bandcamp.com/album/notes-on-trip
Vantar upplýsingar um Moss Kissing.
Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip):
"From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022.
The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like.
This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music."
--
Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany.
released September 8, 2023
All tracks produced by Moss Kissing
Mastered by Guðmundur Ari Arnalds
Artwork by James Usill
Original photo by Valentina Gayoso
Afritað 3.10. 2023 af:
https://post-dreifing.bandcamp.com/album/notes-on-trip
Vantar upplýsingar um Moss Kissing.
Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip):
"From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022.
The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like.
This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music."
--
Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany.
released September 8, 2023
All tracks produced by Moss Kissing
Mastered by Guðmundur Ari Arnalds
Artwork by James Usill
Original photo by Valentina Gayoso
Afritað 3.10. 2023 af:
https://post-dreifing.bandcamp.com/album/notes-on-trip
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Þorlákstíðir eru nokkurs konar óður til dýrlingsins Þorláks Þórhallssonar, biskups í Skálholti á 12. öld.
Voces Thules eru: Eggert Pálsson 1960, Einar Jóhannesson 1950, Eiríkur Hreinn Helgason 1955, Guðlaugur Viktorsson 1963, Sigurður Halldórsson 1963 og Sverrir Guðjónsson 1950.
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Hugar eru Bergur Þórisson 1993- og Pétur Jónsson 1994-.
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Kippi kaninus er Guðmundur Vignir Karlsson 1978-.
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
