Hljóðsafn.is

Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

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Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

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Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

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Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

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Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

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Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

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Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

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Composer:

Rea, Chris, 1951-

Lyricist:

Rea, Chris, 1951-

Publisher:

Spor / Skífan

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Composer:

Forsey, Keith, 1948-

Lyricist:

Schiff, Steve

Publisher:

Spor / Skífan

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Composer:

Palmer, Robert, 1949-2003

Lyricist:

Palmer, Robert, 1949-2003

Publisher:

Spor / Skífan

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Composer:

Sharp, Bobby, 1924-2013

Lyricist:

Sharp, Bobby, 1924-2013

Publisher:

Spor / Skífan

Comment:

F(reddy) James er dulnefni Teddy Powell sem keypti lagið af Bobby Sharp en samdi hvorki lag né texta.

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Composer:

Oldfield, Mike, 1953-

Lyricist:

Oldfield, Mike, 1953-

Publisher:

Spor / Skífan

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Composer:

McKee, Maria, 1964-

Lyricist:

McKee, Maria, 1964-

Publisher:

Spor / Skífan

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Composer:

Guðmundur Jónsson 1962

Lyricist:

Stefán Hilmarsson 1966

Publisher:

Spor / Skífan

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Composer:

Steele, David, 1960-

Lyricist:

Gift, Roland, 1961-

Publisher:

Spor / Skífan

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Composer:

Duran Duran (hljómsveit)

Lyricist:

Barry, John, 1933-2011

Publisher:

Spor / Skífan

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Composer:

Britten, Terry, 1947-

Lyricist:

Lyle, Graham, 1944-

Publisher:

Spor / Skífan

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Composer:

Roberts, Brad, 1964-

Lyricist:

Roberts, Brad, 1964-

Publisher:

Spor / Skífan

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Composer:

Simon, Carly, 1945-

Lyricist:

Simon, Carly, 1945-

Publisher:

Spor / Skífan

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Composer:

Hynde, Chrissie, 1951-

Lyricist:

Honeyman-Scott, James, 1956-1982

Publisher:

Spor / Skífan

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Composer:

Jón Ólafsson 1963

Lyricist:

Daníel Ágúst Haraldsson 1969

Publisher:

Spor / Skífan

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Composer:

John, Elton, 1947-

Lyricist:

Taupin, Bernie, 1950-

Publisher:

Spor / Skífan

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Composer:

D'Arby, Terence Trent, 1962-

Lyricist:

D'Arby, Terence Trent, 1962-

Publisher:

Spor / Skífan

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Composer:

Springsteen, Bruce, 1949-

Lyricist:

Springsteen, Bruce, 1949-

Publisher:

Spor / Skífan

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Composer:

Seal, 1963-

Lyricist:

Seal, 1963-

Publisher:

Spor / Skífan

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Composer:

Lynne, Jeff, 1947-

Lyricist:

Lynne, Jeff, 1947-

Publisher:

Spor / Skífan

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Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

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Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

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Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

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Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

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Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

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Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

more ...

Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

more ...

Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

more ...

Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

more ...

Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

more ...

Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

more ...

Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

more ...

Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

more ...

Composer:

Moss Kissing

Publisher:

post-dreifing

Comment:

Vantar upplýsingar um Moss Kissing. Upplýsingar á Bandcamp (https://post-dreifing.bandcamp.com/album/notes-on-trip): "From the wet summer squelch of Iceland, to the humid chaos of New York and then to the familiar sound of my friends on the streets of Lisboa, these tracks act as a sonic document of the end of my summer of 2022. The first track I made was harpa and around, while in Reykjavík for a show. I felt incredibly inspired by what I saw there, through the post-dreifing crew and Mengi, a small yet strong community that supported each other despite coming from different musical/sound backgrounds and ideas. There was this sense of scene first over everything else which I had not witnessed to that extent before. I, like many others, had only felt the cold shoulder of the “global village” gate, but there within Reykjavík, I saw first hand what a diminishing of ego and a collective support could feel like. This is the first record where I’ve delved into what is now my current approach to research. It relies on a kind of quasi ethnographic/practice as a researched way of creating... I call it audio-graphic research. I make recordings of the audio landscape I share with loved ones and strangers and use this as a starting point to make sound based work. But at its core, this record is really a celebration of a scene, of finding a kindred peoples thousands of kms away, on a little volcanic island, covered in snow, where they blur the boundaries of electronic and experimental music." -- Moss Kissing is a musician, performer and audiographic researcher based in Lisboa. His live shows draw from a diverse range of sources, dubstep and techno form the basis of his sound, while performance art and underground metal infuse his stage presence. He uses sounds from his environment and from the people who populate his life to create ruminate textures, which, combined with complex rhythms and throbbing bass, offers a unique club experience. In 2022 he performed across festivals, queer spaces, clubs and raves. He also supported artists such as Peder Mannerfelt, Darwin and Hiroma Keo. In 2023 he debuted his album “Pass Through” on vinyl for Lisbon collective Vilamar. This summer he played at Glastonbury Festival in the UK and toured Belgium, The Netherlands and Germany. released September 8, 2023 All tracks produced by Moss Kissing Mastered by Guðmundur Ari Arnalds Artwork by James Usill Original photo by Valentina Gayoso Afritað 3.10. 2023 af: https://post-dreifing.bandcamp.com/album/notes-on-trip

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Composer:

Michael, George, 1963-2016

Lyricist:

Michael, George, 1963-2016

Publisher:

Skífan

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Composer:

Taylor, Andy, 1961-

Lyricist:

Taylor, Andy, 1961-

Publisher:

Skífan

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Composer:

Boy George, 1961-

Lyricist:

Boy George, 1961-

Publisher:

Skífan

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Composer:

Brigazzi; Reifoli; Piccolo

Lyricist:

Brigazzi; Reifoli; Piccolo

Publisher:

Skífan

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Composer:

Gill, Peter, 1960-; Johnson, Holly, 1960-; O'Toole, Mark, 1964-

Lyricist:

Gill, Peter, 1960-; Johnson, Holly, 1960-; O'Toole, Mark, 1964-

Publisher:

Skífan

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Composer:

New Order (hljómsveit)

Lyricist:

New Order (hljómsveit)

Publisher:

Skífan

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Composer:

Friðrik Karlsson 1960-; Gunnlaugur Briem 1962-

Publisher:

Skífan

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Composer:

Friðrik Karlsson 1960-; Gunnlaugur Briem 1962-

Publisher:

Skífan

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Composer:

Hay, Colin, 1953-

Lyricist:

Strykert, Ron

Publisher:

Skífan

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Composer:

Ant, Adam, 1954-

Lyricist:

Pirroni, Marc

Publisher:

Skífan

more ...

Composer:

Dead or Alive (hljómsveit)

Lyricist:

Dead or Alive (hljómsveit)

Publisher:

Skífan

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Composer:

Jones, Howard, 1955-

Lyricist:

Jones, Howard, 1955-

Publisher:

Skífan

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Composer:

King, P.

Lyricist:

Roberts, M.

Publisher:

Skífan

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Composer:

ABC (hljómsveit)

Lyricist:

ABC (hljómsveit)

Publisher:

Skífan

more ...

Composer:

Richard Scobie 1960-

Lyricist:

Ingólfur Sverrir Guðjónsson 1959-

Publisher:

Skífan

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Composer:

Richard Scobie 1960-

Lyricist:

Ingólfur Sverrir Guðjónsson 1959-

Publisher:

Skífan

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Composer:

Ashford, Nickolas, 1941-2011; Simpson, Valerie, 1946-

Lyricist:

Ashford, Nickolas, 1941-2011; Simpson, Valerie, 1946-

Publisher:

Skífan

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Composer:

Dr. Rue

Lyricist:

Gypsy Wave Banner

Publisher:

Skífan

more ...

Composer:

Hynde, Chrissie, 1951-

Lyricist:

Hynde, Chrissie, 1951-

Publisher:

Skífan

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Composer:

Karl Örvarsson 1967-; Atli Örvarsson 1970-; Jón Kjartan Ingólfsson 1966-

Lyricist:

Karl Örvarsson 1967-; Atli Örvarsson 1970-; Jón Kjartan Ingólfsson 1966-

Publisher:

Skífan

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Composer:

Karl Örvarsson 1967- ; Atli Örvarsson 1970-; Jón Kjartan Ingólfsson 1966-

Lyricist:

Karl Örvarsson 1967- ; Atli Örvarsson 1970-; Jón Kjartan Ingólfsson 1966-

Publisher:

Skífan

more ...

Composer:

Loggins, Kenny, 1948-

Lyricist:

Pitchford, Dean, 1951-

Publisher:

Skífan

more ...

Composer:

Tempest, Joey, 1963-

Lyricist:

Tempest, Joey, 1963-

Publisher:

Skífan

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Music

Albums/Collections

Diskóbylgjan (Diskur 1)

DIX 506 - Karlakór KFUM

Good people of mine

Jól sko!

Kentucky Roots

Titles

a casa (bone & quinn talking)

Brass in pocket

cheap air travel

conversation with bart

Don't get me wrong