Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Sin Fang er Sindri Már Sigfússon.
Kápumynd: Ingibjörg Birgisdóttir.
Upplýsingar á Bandcamp:
Last song of the year.
released December 31, 2021
Afritað 27.9. 2022 af: https://sinfang-soley-orvarsmarason.bandcamp.com/track/afterparty-2
Kom einnig út á hljómplötu hjá Morr Music.
Upplýsingar á Bandcamp:
Team Dreams is the collaborative project of Sin Fang [Sindri Már Sigfússon], Sóley and Örvar Smárason [...]
Some people say it’s the hope that kills you, but statistically dreams are responsible for a lot more casualties. The second album from the Icelandic supergroup, not only acknowledges this but celebrates it. To dream is to slowly digest oneself from the inside.
In January 2021 the team was reunited and have since then been writing, recording and releasing a new song every last friday of each month, much like they did in 2018. »Dream is Murder« is the result – a collection of all twelve songs on one album.
Sin Fang, Sóley and Örvar are all established performers, composers and producers in their own right, but their Team Dreams project is so much more than a sum of its parts. Even though each of their individual fingerprints can be found all over the album, the result has a distinctive sound of its own.
The first three songs on the album display the diverse nature of the project, »Imaginary Love« is a catchy pop tune, »Calling for Your Touch« a sprawling cinematic ballad with hints of both Top Gun and Twin Peaks, then there is »Shame«, a gut wrenching tragedy of being born into decay. »Where the Maps Run« was specially recorded for Amnesty International in Iceland and given as a part of Amnesty’s 60 year anniversary.
Artwork for each of the songs was conjured up by the one and only Ingibjörg Birgisdóttir and is as much a part of the whole as the music. Each song was accompanied by a res-in sculpture with leftovers from dreams and daily life cast and preserved in with in it. The music takes up three sides of the 2xLP and the fourth and final side holds an exquisite etching by Ingibjörg, depicting the artifacts within.
Afritað 27.9. 2022 af: https://sinfang-soley-orvarsmarason.bandcamp.com/album/dream-is-murder-album
Kom einnig út á hljómplötu hjá Morr Music.
Upplýsingar á Bandcamp:
Team Dreams is the collaborative project of Sin Fang [Sindri Már Sigfússon], Sóley and Örvar Smárason [...]
Some people say it’s the hope that kills you, but statistically dreams are responsible for a lot more casualties. The second album from the Icelandic supergroup, not only acknowledges this but celebrates it. To dream is to slowly digest oneself from the inside.
In January 2021 the team was reunited and have since then been writing, recording and releasing a new song every last friday of each month, much like they did in 2018. »Dream is Murder« is the result – a collection of all twelve songs on one album.
Sin Fang, Sóley and Örvar are all established performers, composers and producers in their own right, but their Team Dreams project is so much more than a sum of its parts. Even though each of their individual fingerprints can be found all over the album, the result has a distinctive sound of its own.
The first three songs on the album display the diverse nature of the project, »Imaginary Love« is a catchy pop tune, »Calling for Your Touch« a sprawling cinematic ballad with hints of both Top Gun and Twin Peaks, then there is »Shame«, a gut wrenching tragedy of being born into decay. »Where the Maps Run« was specially recorded for Amnesty International in Iceland and given as a part of Amnesty’s 60 year anniversary.
Artwork for each of the songs was conjured up by the one and only Ingibjörg Birgisdóttir and is as much a part of the whole as the music. Each song was accompanied by a res-in sculpture with leftovers from dreams and daily life cast and preserved in with in it. The music takes up three sides of the 2xLP and the fourth and final side holds an exquisite etching by Ingibjörg, depicting the artifacts within.
Afritað 27.9. 2022 af: https://sinfang-soley-orvarsmarason.bandcamp.com/album/dream-is-murder-album
Kom einnig út á hljómplötu hjá Morr Music.
Upplýsingar á Bandcamp:
Team Dreams is the collaborative project of Sin Fang [Sindri Már Sigfússon], Sóley and Örvar Smárason [...]
Some people say it’s the hope that kills you, but statistically dreams are responsible for a lot more casualties. The second album from the Icelandic supergroup, not only acknowledges this but celebrates it. To dream is to slowly digest oneself from the inside.
In January 2021 the team was reunited and have since then been writing, recording and releasing a new song every last friday of each month, much like they did in 2018. »Dream is Murder« is the result – a collection of all twelve songs on one album.
Sin Fang, Sóley and Örvar are all established performers, composers and producers in their own right, but their Team Dreams project is so much more than a sum of its parts. Even though each of their individual fingerprints can be found all over the album, the result has a distinctive sound of its own.
The first three songs on the album display the diverse nature of the project, »Imaginary Love« is a catchy pop tune, »Calling for Your Touch« a sprawling cinematic ballad with hints of both Top Gun and Twin Peaks, then there is »Shame«, a gut wrenching tragedy of being born into decay. »Where the Maps Run« was specially recorded for Amnesty International in Iceland and given as a part of Amnesty’s 60 year anniversary.
Artwork for each of the songs was conjured up by the one and only Ingibjörg Birgisdóttir and is as much a part of the whole as the music. Each song was accompanied by a res-in sculpture with leftovers from dreams and daily life cast and preserved in with in it. The music takes up three sides of the 2xLP and the fourth and final side holds an exquisite etching by Ingibjörg, depicting the artifacts within.
Afritað 27.9. 2022 af: https://sinfang-soley-orvarsmarason.bandcamp.com/album/dream-is-murder-album
Kom einnig út á hljómplötu hjá Morr Music.
Upplýsingar á Bandcamp:
Team Dreams is the collaborative project of Sin Fang [Sindri Már Sigfússon], Sóley and Örvar Smárason [...]
Some people say it’s the hope that kills you, but statistically dreams are responsible for a lot more casualties. The second album from the Icelandic supergroup, not only acknowledges this but celebrates it. To dream is to slowly digest oneself from the inside.
In January 2021 the team was reunited and have since then been writing, recording and releasing a new song every last friday of each month, much like they did in 2018. »Dream is Murder« is the result – a collection of all twelve songs on one album.
Sin Fang, Sóley and Örvar are all established performers, composers and producers in their own right, but their Team Dreams project is so much more than a sum of its parts. Even though each of their individual fingerprints can be found all over the album, the result has a distinctive sound of its own.
The first three songs on the album display the diverse nature of the project, »Imaginary Love« is a catchy pop tune, »Calling for Your Touch« a sprawling cinematic ballad with hints of both Top Gun and Twin Peaks, then there is »Shame«, a gut wrenching tragedy of being born into decay. »Where the Maps Run« was specially recorded for Amnesty International in Iceland and given as a part of Amnesty’s 60 year anniversary.
Artwork for each of the songs was conjured up by the one and only Ingibjörg Birgisdóttir and is as much a part of the whole as the music. Each song was accompanied by a res-in sculpture with leftovers from dreams and daily life cast and preserved in with in it. The music takes up three sides of the 2xLP and the fourth and final side holds an exquisite etching by Ingibjörg, depicting the artifacts within.
Afritað 27.9. 2022 af: https://sinfang-soley-orvarsmarason.bandcamp.com/album/dream-is-murder-album
Kom einnig út á hljómplötu hjá Morr Music.
Upplýsingar á Bandcamp:
Team Dreams is the collaborative project of Sin Fang [Sindri Már Sigfússon], Sóley and Örvar Smárason [...]
Some people say it’s the hope that kills you, but statistically dreams are responsible for a lot more casualties. The second album from the Icelandic supergroup, not only acknowledges this but celebrates it. To dream is to slowly digest oneself from the inside.
In January 2021 the team was reunited and have since then been writing, recording and releasing a new song every last friday of each month, much like they did in 2018. »Dream is Murder« is the result – a collection of all twelve songs on one album.
Sin Fang, Sóley and Örvar are all established performers, composers and producers in their own right, but their Team Dreams project is so much more than a sum of its parts. Even though each of their individual fingerprints can be found all over the album, the result has a distinctive sound of its own.
The first three songs on the album display the diverse nature of the project, »Imaginary Love« is a catchy pop tune, »Calling for Your Touch« a sprawling cinematic ballad with hints of both Top Gun and Twin Peaks, then there is »Shame«, a gut wrenching tragedy of being born into decay. »Where the Maps Run« was specially recorded for Amnesty International in Iceland and given as a part of Amnesty’s 60 year anniversary.
Artwork for each of the songs was conjured up by the one and only Ingibjörg Birgisdóttir and is as much a part of the whole as the music. Each song was accompanied by a res-in sculpture with leftovers from dreams and daily life cast and preserved in with in it. The music takes up three sides of the 2xLP and the fourth and final side holds an exquisite etching by Ingibjörg, depicting the artifacts within.
Afritað 27.9. 2022 af: https://sinfang-soley-orvarsmarason.bandcamp.com/album/dream-is-murder-album
Kom einnig út á hljómplötu hjá Morr Music.
Upplýsingar á Bandcamp:
Team Dreams is the collaborative project of Sin Fang [Sindri Már Sigfússon], Sóley and Örvar Smárason [...]
Some people say it’s the hope that kills you, but statistically dreams are responsible for a lot more casualties. The second album from the Icelandic supergroup, not only acknowledges this but celebrates it. To dream is to slowly digest oneself from the inside.
In January 2021 the team was reunited and have since then been writing, recording and releasing a new song every last friday of each month, much like they did in 2018. »Dream is Murder« is the result – a collection of all twelve songs on one album.
Sin Fang, Sóley and Örvar are all established performers, composers and producers in their own right, but their Team Dreams project is so much more than a sum of its parts. Even though each of their individual fingerprints can be found all over the album, the result has a distinctive sound of its own.
The first three songs on the album display the diverse nature of the project, »Imaginary Love« is a catchy pop tune, »Calling for Your Touch« a sprawling cinematic ballad with hints of both Top Gun and Twin Peaks, then there is »Shame«, a gut wrenching tragedy of being born into decay. »Where the Maps Run« was specially recorded for Amnesty International in Iceland and given as a part of Amnesty’s 60 year anniversary.
Artwork for each of the songs was conjured up by the one and only Ingibjörg Birgisdóttir and is as much a part of the whole as the music. Each song was accompanied by a res-in sculpture with leftovers from dreams and daily life cast and preserved in with in it. The music takes up three sides of the 2xLP and the fourth and final side holds an exquisite etching by Ingibjörg, depicting the artifacts within.
Afritað 27.9. 2022 af: https://sinfang-soley-orvarsmarason.bandcamp.com/album/dream-is-murder-album
Kom einnig út á hljómplötu hjá Morr Music.
Upplýsingar á Bandcamp:
Team Dreams is the collaborative project of Sin Fang [Sindri Már Sigfússon], Sóley and Örvar Smárason [...]
Some people say it’s the hope that kills you, but statistically dreams are responsible for a lot more casualties. The second album from the Icelandic supergroup, not only acknowledges this but celebrates it. To dream is to slowly digest oneself from the inside.
In January 2021 the team was reunited and have since then been writing, recording and releasing a new song every last friday of each month, much like they did in 2018. »Dream is Murder« is the result – a collection of all twelve songs on one album.
Sin Fang, Sóley and Örvar are all established performers, composers and producers in their own right, but their Team Dreams project is so much more than a sum of its parts. Even though each of their individual fingerprints can be found all over the album, the result has a distinctive sound of its own.
The first three songs on the album display the diverse nature of the project, »Imaginary Love« is a catchy pop tune, »Calling for Your Touch« a sprawling cinematic ballad with hints of both Top Gun and Twin Peaks, then there is »Shame«, a gut wrenching tragedy of being born into decay. »Where the Maps Run« was specially recorded for Amnesty International in Iceland and given as a part of Amnesty’s 60 year anniversary.
Artwork for each of the songs was conjured up by the one and only Ingibjörg Birgisdóttir and is as much a part of the whole as the music. Each song was accompanied by a res-in sculpture with leftovers from dreams and daily life cast and preserved in with in it. The music takes up three sides of the 2xLP and the fourth and final side holds an exquisite etching by Ingibjörg, depicting the artifacts within.
Afritað 27.9. 2022 af: https://sinfang-soley-orvarsmarason.bandcamp.com/album/dream-is-murder-album
Kom einnig út á hljómplötu hjá Morr Music.
Upplýsingar á Bandcamp:
Team Dreams is the collaborative project of Sin Fang [Sindri Már Sigfússon], Sóley and Örvar Smárason [...]
Some people say it’s the hope that kills you, but statistically dreams are responsible for a lot more casualties. The second album from the Icelandic supergroup, not only acknowledges this but celebrates it. To dream is to slowly digest oneself from the inside.
In January 2021 the team was reunited and have since then been writing, recording and releasing a new song every last friday of each month, much like they did in 2018. »Dream is Murder« is the result – a collection of all twelve songs on one album.
Sin Fang, Sóley and Örvar are all established performers, composers and producers in their own right, but their Team Dreams project is so much more than a sum of its parts. Even though each of their individual fingerprints can be found all over the album, the result has a distinctive sound of its own.
The first three songs on the album display the diverse nature of the project, »Imaginary Love« is a catchy pop tune, »Calling for Your Touch« a sprawling cinematic ballad with hints of both Top Gun and Twin Peaks, then there is »Shame«, a gut wrenching tragedy of being born into decay. »Where the Maps Run« was specially recorded for Amnesty International in Iceland and given as a part of Amnesty’s 60 year anniversary.
Artwork for each of the songs was conjured up by the one and only Ingibjörg Birgisdóttir and is as much a part of the whole as the music. Each song was accompanied by a res-in sculpture with leftovers from dreams and daily life cast and preserved in with in it. The music takes up three sides of the 2xLP and the fourth and final side holds an exquisite etching by Ingibjörg, depicting the artifacts within.
Afritað 27.9. 2022 af: https://sinfang-soley-orvarsmarason.bandcamp.com/album/dream-is-murder-album
Kom einnig út á hljómplötu hjá Morr Music.
Upplýsingar á Bandcamp:
Team Dreams is the collaborative project of Sin Fang [Sindri Már Sigfússon], Sóley and Örvar Smárason [...]
Some people say it’s the hope that kills you, but statistically dreams are responsible for a lot more casualties. The second album from the Icelandic supergroup, not only acknowledges this but celebrates it. To dream is to slowly digest oneself from the inside.
In January 2021 the team was reunited and have since then been writing, recording and releasing a new song every last friday of each month, much like they did in 2018. »Dream is Murder« is the result – a collection of all twelve songs on one album.
Sin Fang, Sóley and Örvar are all established performers, composers and producers in their own right, but their Team Dreams project is so much more than a sum of its parts. Even though each of their individual fingerprints can be found all over the album, the result has a distinctive sound of its own.
The first three songs on the album display the diverse nature of the project, »Imaginary Love« is a catchy pop tune, »Calling for Your Touch« a sprawling cinematic ballad with hints of both Top Gun and Twin Peaks, then there is »Shame«, a gut wrenching tragedy of being born into decay. »Where the Maps Run« was specially recorded for Amnesty International in Iceland and given as a part of Amnesty’s 60 year anniversary.
Artwork for each of the songs was conjured up by the one and only Ingibjörg Birgisdóttir and is as much a part of the whole as the music. Each song was accompanied by a res-in sculpture with leftovers from dreams and daily life cast and preserved in with in it. The music takes up three sides of the 2xLP and the fourth and final side holds an exquisite etching by Ingibjörg, depicting the artifacts within.
Afritað 27.9. 2022 af: https://sinfang-soley-orvarsmarason.bandcamp.com/album/dream-is-murder-album
Kom einnig út á hljómplötu hjá Morr Music.
Upplýsingar á Bandcamp:
Team Dreams is the collaborative project of Sin Fang [Sindri Már Sigfússon], Sóley and Örvar Smárason [...]
Some people say it’s the hope that kills you, but statistically dreams are responsible for a lot more casualties. The second album from the Icelandic supergroup, not only acknowledges this but celebrates it. To dream is to slowly digest oneself from the inside.
In January 2021 the team was reunited and have since then been writing, recording and releasing a new song every last friday of each month, much like they did in 2018. »Dream is Murder« is the result – a collection of all twelve songs on one album.
Sin Fang, Sóley and Örvar are all established performers, composers and producers in their own right, but their Team Dreams project is so much more than a sum of its parts. Even though each of their individual fingerprints can be found all over the album, the result has a distinctive sound of its own.
The first three songs on the album display the diverse nature of the project, »Imaginary Love« is a catchy pop tune, »Calling for Your Touch« a sprawling cinematic ballad with hints of both Top Gun and Twin Peaks, then there is »Shame«, a gut wrenching tragedy of being born into decay. »Where the Maps Run« was specially recorded for Amnesty International in Iceland and given as a part of Amnesty’s 60 year anniversary.
Artwork for each of the songs was conjured up by the one and only Ingibjörg Birgisdóttir and is as much a part of the whole as the music. Each song was accompanied by a res-in sculpture with leftovers from dreams and daily life cast and preserved in with in it. The music takes up three sides of the 2xLP and the fourth and final side holds an exquisite etching by Ingibjörg, depicting the artifacts within.
Afritað 27.9. 2022 af: https://sinfang-soley-orvarsmarason.bandcamp.com/album/dream-is-murder-album
Kom einnig út á hljómplötu hjá Morr Music.
Upplýsingar á Bandcamp:
Team Dreams is the collaborative project of Sin Fang [Sindri Már Sigfússon], Sóley and Örvar Smárason [...]
Some people say it’s the hope that kills you, but statistically dreams are responsible for a lot more casualties. The second album from the Icelandic supergroup, not only acknowledges this but celebrates it. To dream is to slowly digest oneself from the inside.
In January 2021 the team was reunited and have since then been writing, recording and releasing a new song every last friday of each month, much like they did in 2018. »Dream is Murder« is the result – a collection of all twelve songs on one album.
Sin Fang, Sóley and Örvar are all established performers, composers and producers in their own right, but their Team Dreams project is so much more than a sum of its parts. Even though each of their individual fingerprints can be found all over the album, the result has a distinctive sound of its own.
The first three songs on the album display the diverse nature of the project, »Imaginary Love« is a catchy pop tune, »Calling for Your Touch« a sprawling cinematic ballad with hints of both Top Gun and Twin Peaks, then there is »Shame«, a gut wrenching tragedy of being born into decay. »Where the Maps Run« was specially recorded for Amnesty International in Iceland and given as a part of Amnesty’s 60 year anniversary.
Artwork for each of the songs was conjured up by the one and only Ingibjörg Birgisdóttir and is as much a part of the whole as the music. Each song was accompanied by a res-in sculpture with leftovers from dreams and daily life cast and preserved in with in it. The music takes up three sides of the 2xLP and the fourth and final side holds an exquisite etching by Ingibjörg, depicting the artifacts within.
Afritað 27.9. 2022 af: https://sinfang-soley-orvarsmarason.bandcamp.com/album/dream-is-murder-album
Kom einnig út á hljómplötu hjá Morr Music.
Upplýsingar á Bandcamp:
Team Dreams is the collaborative project of Sin Fang [Sindri Már Sigfússon], Sóley and Örvar Smárason [...]
Some people say it’s the hope that kills you, but statistically dreams are responsible for a lot more casualties. The second album from the Icelandic supergroup, not only acknowledges this but celebrates it. To dream is to slowly digest oneself from the inside.
In January 2021 the team was reunited and have since then been writing, recording and releasing a new song every last friday of each month, much like they did in 2018. »Dream is Murder« is the result – a collection of all twelve songs on one album.
Sin Fang, Sóley and Örvar are all established performers, composers and producers in their own right, but their Team Dreams project is so much more than a sum of its parts. Even though each of their individual fingerprints can be found all over the album, the result has a distinctive sound of its own.
The first three songs on the album display the diverse nature of the project, »Imaginary Love« is a catchy pop tune, »Calling for Your Touch« a sprawling cinematic ballad with hints of both Top Gun and Twin Peaks, then there is »Shame«, a gut wrenching tragedy of being born into decay. »Where the Maps Run« was specially recorded for Amnesty International in Iceland and given as a part of Amnesty’s 60 year anniversary.
Artwork for each of the songs was conjured up by the one and only Ingibjörg Birgisdóttir and is as much a part of the whole as the music. Each song was accompanied by a res-in sculpture with leftovers from dreams and daily life cast and preserved in with in it. The music takes up three sides of the 2xLP and the fourth and final side holds an exquisite etching by Ingibjörg, depicting the artifacts within.
Afritað 27.9. 2022 af: https://sinfang-soley-orvarsmarason.bandcamp.com/album/dream-is-murder-album
Guðlaugur Hörðdal Einarsson 1992-; Tatjana Dís Aldísar Razoumeenko 1995-
Textahöfundur:
Tatjana Dís Aldísar Razoumeenko 1995-
Útgefandi:
russian.girls
Athugasemd:
russian.girls eru Russian Girls eru Guðlaugur Hörðdal Einarsson og Tatjana Dís.
Upplýsingar á Bandcamp:
Recorded from 2016 - 2017
released December 31, 2017
Produced by: Guðlaugur Halldór Einarsson
Mastered by: Curver Thoroddsen
All Music by: Guðlaugur Halldór Einarsson & Tatjana Dís
Lyrics by: Tatjana Dís
Lyrics for “Over it” by: Viktor Weisshappel
Backing vocals in “Ain’t it Fun”, “Businessmen” & “Over it" by: Sóley Tómasdóttir
Claps & Bicycle Bell in “Good Being Bad” by: Gylfi Sigurðsson
Album artwork by: Viktor Weisshappel
Afritað 18.2. 2021 af: https://russiangirls.bandcamp.com/album/to-the-bone
Guðlaugur Hörðdal Einarsson 1992-; Tatjana Dís Aldísar Razoumeenko 1995-
Textahöfundur:
Tatjana Dís Aldísar Razoumeenko 1995-
Útgefandi:
russian.girls
Athugasemd:
russian.girls eru Russian Girls eru Guðlaugur Hörðdal Einarsson og Tatjana Dís.
Upplýsingar á Bandcamp:
Recorded from 2016 - 2017
released December 31, 2017
Produced by: Guðlaugur Halldór Einarsson
Mastered by: Curver Thoroddsen
All Music by: Guðlaugur Halldór Einarsson & Tatjana Dís
Lyrics by: Tatjana Dís
Lyrics for “Over it” by: Viktor Weisshappel
Backing vocals in “Ain’t it Fun”, “Businessmen” & “Over it" by: Sóley Tómasdóttir
Claps & Bicycle Bell in “Good Being Bad” by: Gylfi Sigurðsson
Album artwork by: Viktor Weisshappel
Afritað 18.2. 2021 af: https://russiangirls.bandcamp.com/album/to-the-bone
Guðlaugur Hörðdal Einarsson 1992-; Tatjana Dís Aldísar Razoumeenko 1995-
Textahöfundur:
Tatjana Dís Aldísar Razoumeenko 1995-
Útgefandi:
russian.girls
Athugasemd:
russian.girls eru Russian Girls eru Guðlaugur Hörðdal Einarsson og Tatjana Dís.
Upplýsingar á Bandcamp:
Recorded from 2016 - 2017
released December 31, 2017
Produced by: Guðlaugur Halldór Einarsson
Mastered by: Curver Thoroddsen
All Music by: Guðlaugur Halldór Einarsson & Tatjana Dís
Lyrics by: Tatjana Dís
Lyrics for “Over it” by: Viktor Weisshappel
Backing vocals in “Ain’t it Fun”, “Businessmen” & “Over it" by: Sóley Tómasdóttir
Claps & Bicycle Bell in “Good Being Bad” by: Gylfi Sigurðsson
Album artwork by: Viktor Weisshappel
Afritað 18.2. 2021 af: https://russiangirls.bandcamp.com/album/to-the-bone
Guðlaugur Hörðdal Einarsson 1992-; Tatjana Dís Aldísar Razoumeenko 1995-
Textahöfundur:
Tatjana Dís Aldísar Razoumeenko 1995-
Útgefandi:
russian.girls
Athugasemd:
russian.girls eru Russian Girls eru Guðlaugur Hörðdal Einarsson og Tatjana Dís.
Upplýsingar á Bandcamp:
Recorded from 2016 - 2017
released December 31, 2017
Produced by: Guðlaugur Halldór Einarsson
Mastered by: Curver Thoroddsen
All Music by: Guðlaugur Halldór Einarsson & Tatjana Dís
Lyrics by: Tatjana Dís
Lyrics for “Over it” by: Viktor Weisshappel
Backing vocals in “Ain’t it Fun”, “Businessmen” & “Over it" by: Sóley Tómasdóttir
Claps & Bicycle Bell in “Good Being Bad” by: Gylfi Sigurðsson
Album artwork by: Viktor Weisshappel
Afritað 18.2. 2021 af: https://russiangirls.bandcamp.com/album/to-the-bone
Guðlaugur Hörðdal Einarsson 1992-; Tatjana Dís Aldísar Razoumeenko 1995-
Textahöfundur:
Viktor Weisshappel Vilhjálmsson 1992-
Útgefandi:
russian.girls
Athugasemd:
russian.girls eru Russian Girls eru Guðlaugur Hörðdal Einarsson og Tatjana Dís.
Upplýsingar á Bandcamp:
Recorded from 2016 - 2017
released December 31, 2017
Produced by: Guðlaugur Halldór Einarsson
Mastered by: Curver Thoroddsen
All Music by: Guðlaugur Halldór Einarsson & Tatjana Dís
Lyrics by: Tatjana Dís
Lyrics for “Over it” by: Viktor Weisshappel
Backing vocals in “Ain’t it Fun”, “Businessmen” & “Over it" by: Sóley Tómasdóttir
Claps & Bicycle Bell in “Good Being Bad” by: Gylfi Sigurðsson
Album artwork by: Viktor Weisshappel
Afritað 18.2. 2021 af: https://russiangirls.bandcamp.com/album/to-the-bone
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Óli Kondrup er Ólafur Sverrir Traustason.
Upplýsingar á Bandcamp:
Adrian, originally from England, has been living in Iceland since 2016. Whilst working as a baker covering night shifts he would stay in contact with his family back in England through voice messages, including his young niece Lizzy.
Vestur í bláinn is an experimental music project on immigration in Iceland.
It aims to be a space for voices, different languages and stories of people from diverse origins, that are rarely heard in the context of arts or the public in general.
Along with the release of the music project, 'Vestur í bláinn' will be presented as a multidisciplinary art exhibition in Iceland from September 3rd to September 30th. The exhibition takes place in ten public locations all over Reykjavík, with the participation of various local artists, curated by Claire Paugam and Julius Pollux Rothlaender.
All proceedings from sales on bandcamp will be donated to No Borders Iceland.
All music written, recorded and produced by Julius Pollux Rothlaender.
Ægir Sindri Bjarnason, drums & percussion.
Eugénie Ricard, bassoon.
Óli Kondrup, trumpet.
Rakel Sigurðardóttir, violin.
Mixed by Greg Giorgio.
Artwork by Claire Paugam.
Afritað 2.11. 2020 af: https://juliuspollux.bandcamp.com/releases
Upplýsingar á Bandcamp:
Vestur í bláinn is an experimental music project on immigration in Iceland.
It aims to be a space for voices, different languages and stories of people from diverse origins, that are rarely heard in the context of arts or the public in general.
Along with the release of the music project, 'Vestur í bláinn' will be presented as a multidisciplinary art exhibition in Iceland from September 3rd to September 30th. The exhibition takes place in ten public locations all over Reykjavík, with the participation of various local artists, curated by Claire Paugam and Julius Pollux Rothlaender.
All proceedings from sales on bandcamp will be donated to No Borders Iceland.
All music written, recorded and produced by Julius Pollux Rothlaender.
Mixed by Greg Giorgio.
Artwork by Claire Paugam.
Afritað 2.11. 2020 af: https://juliuspollux.bandcamp.com/releases
Upplýsingar á Bandcamp:
Fernanda has many experiences of being a migrant, she was born in Brazil into a family of Spanish, Italian and Japanese lineages. Seventeen years ago she left Brazil and moved to London, and then came to Iceland five years ago.
In the song you hear Fernanda talking on the phone to her mother in Brazil.
A term not easily translatable, the Brazilian expression ’saudade’ describes a sentiment that those living far away from their families might relate to.
Vestur í bláinn is an experimental music project on immigration in Iceland.
It aims to be a space for voices, different languages and stories of people from diverse origins, that are rarely heard in the context of arts or the public in general.
Along with the release of the music project, 'Vestur í bláinn' will be presented as a multidisciplinary art exhibition in Iceland from September 3rd to September 30th. The exhibition takes place in ten public locations all over Reykjavík, with the participation of various local artists, curated by Claire Paugam and Julius Pollux Rothlaender.
All proceedings from sales on bandcamp will be donated to No Borders Iceland.
All music written, recorded and produced by Julius Pollux Rothlaender.
Sigurlaug Thorarensen, vocals.
Tumi Árnason, saxophone.
Brynja Bjarnadóttir, vocals.
Asker Bjørk, drums.
Mixed by Greg Giorgio.
Artwork by Claire Paugam.
Afritað 2.11. 2020 af: https://juliuspollux.bandcamp.com/releases
Upplýsingar á Bandcamp:
Aleksey is a 63-year-old construction worker. With roots in Russia and Ukraine and after having spent most of his life in Latvia, he came to Iceland twelve years ago. “In the evenings, I play the guitar for myself alone at home,” was the headline of an article about him on the homepage of Efling, Iceland’s union for basic and low-income workers.
In the recording, Aleksey recounts the story of one of his favourite Russian love songs, “Лирическая” by Vladimir Vysotsky. The song is about a man entering an enchanted forest to find the woman that he loves, trying to convince her of the modest but beautiful life that would await her with him.
Vestur í bláinn is an experimental music project on immigration in Iceland.
It aims to be a space for voices, different languages and stories of people from diverse origins, that are rarely heard in the context of arts or the public in general.
Along with the release of the music project, 'Vestur í bláinn' will be presented as a multidisciplinary art exhibition in Iceland from September 3rd to September 30th. The exhibition takes place in ten public locations all over Reykjavík, with the participation of various local artists, curated by Claire Paugam and Julius Pollux Rothlaender.
All proceedings from sales on bandcamp will be donated to No Borders Iceland.
All music written, recorded and produced by Julius Pollux Rothlaender.
Martijn Eikenhout, double bass.
Peter Broderick, vocals.
Hannah Epperson, vocals & violin.
Maria-Carmela Raso, vocals.
Mixed by Greg Giorgio.
Artwork by Claire Paugam.
Afritað 2.11. 2020 af: https://juliuspollux.bandcamp.com/releases
Upplýsingar á Bandcamp:
Words taken from: Eduardo Galeano, Immigrants Today, Voices of Time, 2006.
Vestur í bláinn is an experimental music project on immigration in Iceland.
It aims to be a space for voices, different languages and stories of people from diverse origins, that are rarely heard in the context of arts or the public in general.
Along with the release of the music project, 'Vestur í bláinn' will be presented as a multidisciplinary art exhibition in Iceland from September 3rd to September 30th. The exhibition takes place in ten public locations all over Reykjavík, with the participation of various local artists, curated by Claire Paugam and Julius Pollux Rothlaender.
All proceedings from sales on bandcamp will be donated to No Borders Iceland.
All music written, recorded and produced by Julius Pollux Rothlaender.
Alison MacNeil, voice.
Mixed by Greg Giorgio.
Artwork by Claire Paugam.
Afritað 2.11. 2020 af: https://juliuspollux.bandcamp.com/releases
Upplýsingar á Bandcamp:
Joshua is a refugee from Nigeria. In the spring of 2019, he was part of an independently organised group of refugees in Iceland that initiated protests against Iceland’s immigration/refugee policies.
The group hoped to be heard by society and the government, demanding a better and more humane treatment of asylum seekers in Iceland, an end to the deportations, equal access to health care, the right to work, the closing of isolated refugee camps, and a substantial review for all applications for asylum.
Like many other refugees from Africa, Joshua reached Europe on a small boat landing on the shores of Italy. There he lived on the streets for several years until he managed to come to Iceland.
Eventually his case got rejected in Iceland and he was deported back to Italy.
Vestur í bláinn is an experimental music project on immigration in Iceland.
It aims to be a space for voices, different languages and stories of people from diverse origins, that are rarely heard in the context of arts or the public in general.
Along with the release of the music project, 'Vestur í bláinn' will be presented as a multidisciplinary art exhibition in Iceland from September 3rd to September 30th. The exhibition takes place in ten public locations all over Reykjavík, with the participation of various local artists, curated by Claire Paugam and Julius Pollux Rothlaender.
All proceedings from sales on bandcamp will be donated to No Borders Iceland.
All music written, recorded and produced by Julius Pollux Rothlaender.
Ægir Sindri Bjarnason, drums & percussion.
Sigurlaug Thorarensen, vocals.
Tumi Árnason, saxophone.
Maja Gravermoen Toresen, violin.
Mixed by Greg Giorgio.
Artwork by Claire Paugam.
Afritað 2.11. 2020 af: https://juliuspollux.bandcamp.com/releases
Upplýsingar á Bandcamp:
Tomasz is a Strætó bus driver in Reykjavík.
When looking for a change to his stressful job as an event and film production manager in Poland, Tomasz moved to Iceland embarking on a new career as a bus driver, which he enjoys a lot.
Towards the end of the song, leading to the next sound piece, you hear Dušan's mother-in-law Marina talking to him and his family via Skype. Dušan and his guitar piece are featured in the following song.
Vestur í bláinn is an experimental music project on immigration in Iceland.
It aims to be a space for voices, different languages and stories of people from diverse origins, that are rarely heard in the context of arts or the public in general.
Along with the release of the music project, 'Vestur í bláinn' will be presented as a multidisciplinary art exhibition in Iceland from September 3rd to September 30th. The exhibition takes place in ten public locations all over Reykjavík, with the participation of various local artists, curated by Claire Paugam and Julius Pollux Rothlaender.
All proceedings from sales on bandcamp will be donated to No Borders Iceland.
All music written, recorded and produced by Julius Pollux Rothlaender.
Ægir Sindri Bjarnason, drums & percussion.
Sigurlaug Thorarensen, vocals.
Tumi Árnason, saxophone.
Maja Gravermoen Toresen, violin.
Martijn Eikenhout, double bass.
Mink Steekelenburg, synths.
Bjarni Daníel, vocals.
Mixed by Greg Giorgio.
Artwork by Claire Paugam.
Afritað 2.11. 2020 af: https://juliuspollux.bandcamp.com/releases
Upplýsingar á Bandcamp:
Instead of recording his voice, Dušan has incorporated guitar elements to this sound piece.
Originally from Montenegro, Dušan followed his Serbian girlfriend Isidora to Iceland. They've been studying and working here for five years now and gave birth to their first child three years ago.
Dušan and Isidora both work with kids in elementary schools in Reykjavík.
Vestur í bláinn is an experimental music project on immigration in Iceland.
It aims to be a space for voices, different languages and stories of people from diverse origins, that are rarely heard in the context of arts or the public in general.
Along with the release of the music project, 'Vestur í bláinn' will be presented as a multidisciplinary art exhibition in Iceland from September 3rd to September 30th. The exhibition takes place in ten public locations all over Reykjavík, with the participation of various local artists, curated by Claire Paugam and Julius Pollux Rothlaender.
All proceedings from sales on bandcamp will be donated to No Borders Iceland.
All music written, recorded and produced by Julius Pollux Rothlaender.
Dušan Durovic, guitar.
Martijn Eikenhout, double bass.
Mixed by Greg Giorgio.
Artwork by Claire Paugam.
Afritað 2.11. 2020 af: https://juliuspollux.bandcamp.com/releases
Upplýsingar á Bandcamp:
This song reflects on the story of the ‘Vesturfarar’.
Around 1870-1910 almost one quarter of the Icelandic population left their homes and resettled mostly in North America, in search for better living conditions. Back then, life in Iceland was tough, poverty levels were high and many people suffered from hunger. Most of the voice recordings stem from the TV documentary ‘Vestur í bláinn’ (1975) and feature interviews with people who were part of the emigration wave. One of them, Salomé, talks about the journey, whilst Björn points out the difficulties of starting a new life in a faraway country.
Vestur í bláinn is an experimental music project on immigration in Iceland.
It aims to be a space for voices, different languages and stories of people from diverse origins, that are rarely heard in the context of arts or the public in general.
Along with the release of the music project, 'Vestur í bláinn' will be presented as a multidisciplinary art exhibition in Iceland from September 3rd to September 30th. The exhibition takes place in ten public locations all over Reykjavík, with the participation of various local artists, curated by Claire Paugam and Julius Pollux Rothlaender.
All proceedings from sales on bandcamp will be donated to No Borders Iceland.
All music written, recorded and produced by Julius Pollux Rothlaender.
Sigurlaug Thorarensen, vocals.
Tumi Árnason, saxophone.
Maja Gravermoen Toresen, violin.
Eugénie Ricard, bassoon.
Afra Kane, vocals.
Mixed by Greg Giorgio.
Artwork by Claire Paugam.
Afritað 2.11. 2020 af: https://juliuspollux.bandcamp.com/releases
Upplýsingar á Bandcamp:
Innocentia is a woman from Ghana who came to Iceland 18 years ago. She works as a cook in the kitchen of the hospital in Reykjavík and is married to an Icelandic man, with whom she has a son. The recorded material is Innocentia talking on the phone to her brother, who himself emigrated to Italy, as had their sister. Within their phone conversation, they share stories and memories about both joyous and sad recent events. They also include a little song from their village back home.
Vestur í bláinn is an experimental music project on immigration in Iceland.
It aims to be a space for voices, different languages and stories of people from diverse origins, that are rarely heard in the context of arts or the public in general.
Along with the release of the music project, 'Vestur í bláinn' will be presented as a multidisciplinary art exhibition in Iceland from September 3rd to September 30th. The exhibition takes place in ten public locations all over Reykjavík, with the participation of various local artists, curated by Claire Paugam and Julius Pollux Rothlaender.
All proceedings from sales on bandcamp will be donated to No Borders Iceland.
All music written, recorded and produced by Julius Pollux Rothlaender.
Ægir Sindri Bjarnason, drums & percussion.
Maja Gravermoen Toresen, violin.
Mixed by Greg Giorgio.
Artwork by Claire Paugam.
Afritað 2.11. 2020 af: https://juliuspollux.bandcamp.com/releases
Upplýsingar á Bandcamp:
Anna is a labour organiser and care worker who moved to Iceland after finishing her master’s degree in Kraków.
Living in Reykjavík, she worked within various occupations as a housekeeper, cleaner, waitress and teacher in an after-school programme.
The recordings in this song are from a phone conversation that Anna had with her friend back in Poland. In addition, we hear excerpts from Anna’s speech during a protest march at the general strike in Reykjavík in the spring of 2019. She held her speech both in English and Polish, advocating for low-income workers and the migrant workforce. People of Polish origin constitute 5% of Iceland’s population and are the largest immigrant group.
Vestur í bláinn is an experimental music project on immigration in Iceland.
It aims to be a space for voices, different languages and stories of people from diverse origins, that are rarely heard in the context of arts or the public in general.
Along with the release of the music project, 'Vestur í bláinn' will be presented as a multidisciplinary art exhibition in Iceland from September 3rd to September 30th. The exhibition takes place in ten public locations all over Reykjavík, with the participation of various local artists, curated by Claire Paugam and Julius Pollux Rothlaender.
All proceedings from sales on bandcamp will be donated to No Borders Iceland.
All music written, recorded and produced by Julius Pollux Rothlaender.
Sigurlaug Thorarensen, vocals.
Tumi Árnason, saxophone.
Finnbogi Örn Einarsson, vocals.
Mixed by Greg Giorgio.
Artwork by Claire Paugam.
Afritað 2.11. 2020 af: https://juliuspollux.bandcamp.com/releases
Upplýsingar á Bandcamp:
Amir is a refugee from Afghanistan. Five years ago, he made his way to Europe alone as a teenager, going through precarious and life-threatening situations on his trip.
After his application for asylum was rejected in Norway, he came to Iceland where he waited one year, only for his application to be rejected again. The Icelandic authorities unlawfully tried to deport Amir after he had already passed the one year quota, and would have been legally eligible for a substantial review of his case.
With help from the No Borders activist group and a lawyer who sued the Directorate of Immigration, his case was finally taken up again. After over two whole years of waiting and hiding in Iceland, he finally was granted asylum.
Vestur í bláinn is an experimental music project on immigration in Iceland.
It aims to be a space for voices, different languages and stories of people from diverse origins, that are rarely heard in the context of arts or the public in general.
Along with the release of the music project, 'Vestur í bláinn' will be presented as a multidisciplinary art exhibition in Iceland from September 3rd to September 30th. The exhibition takes place in ten public locations all over Reykjavík, with the participation of various local artists, curated by Claire Paugam and Julius Pollux Rothlaender.
All proceedings from sales on bandcamp will be donated to No Borders Iceland.
All music written, recorded and produced by Julius Pollux Rothlaender.
Ægir Sindri Bjarnason, drums & percussion.
Tumi Árnason, saxophone.
Maja Gravermoen Toresen, violin.
Alison MacNeil, voice.
Sóley Stefánsdóttir, vocals.
Moses Destiny, vocals.
Mixed by Greg Giorgio.
Artwork by Claire Paugam.
Afritað 2.11. 2020 af: https://juliuspollux.bandcamp.com/releases
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Upptökustjórn Guðlaug Sóley Höskuldsdóttir [gugusar].
Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.
Hljóðskrá 24.3. 2023 frá Sony Music Entertainment Denmark (dreifing).
Stefán Þór Steindórsson 1978-; Micallef, Richard Edwards; Sofis, Nikos
Textahöfundur:
Stefán Þór Steindórsson 1978-
Útgefandi:
RÚV
Athugasemd:
Útsetning: Stefán Þór Steindórsson, Cyprian Cassar og Richard Edwards Micallef.
Upplýsingar og hljóðskrá frá Safnadeild Rúv 25.08. 2020 gegnum Wetransfer.
Stefán Þór Steindórsson 1978-; Micallef, Richard Edwards; Sofis, Nikos
Útgefandi:
RÚV
Athugasemd:
Útsetning: Stefán Þór Steindórsson, Cyprian Cassar og Richard Edwards Micallef.
Upplýsingar og hljóðskrá frá Safnadeild Rúv 25.08. 2020 gegnum Wetransfer.
Kom einnig út á hljómplötu.
Útgáfunúmer: SOLEYMM2021AL
Útgáfudagur: 22.10.2021
Strikamerki: 5690738100162
Hljóðskrá og upplýsingar 21.1. 2022: Alda Music (dreifing).
Kom einnig út á hljómplötu.
Útgáfunúmer: SOLEYMM2021AL
Útgáfudagur: 22.10.2021
Strikamerki: 5690738100162
Hljóðskrá og upplýsingar 21.1. 2022: Alda Music (dreifing).
Kom einnig út á hljómplötu.
Útgáfunúmer: SOLEYMM2021AL
Útgáfudagur: 22.10.2021
Strikamerki: 5690738100162
Hljóðskrá og upplýsingar 21.1. 2022: Alda Music (dreifing).
Kom einnig út á hljómplötu.
Útgáfunúmer: SOLEYMM2021AL
Útgáfudagur: 22.10.2021
Strikamerki: 5690738100162
Hljóðskrá og upplýsingar 21.1. 2022: Alda Music (dreifing).
Kom einnig út á hljómplötu.
Útgáfunúmer: SOLEYMM2021AL
Útgáfudagur: 22.10.2021
Strikamerki: 5690738100162
Hljóðskrá og upplýsingar 21.1. 2022: Alda Music (dreifing).
Kom einnig út á hljómplötu.
Útgáfunúmer: SOLEYMM2021AL
Útgáfudagur: 22.10.2021
Strikamerki: 5690738100162
Hljóðskrá og upplýsingar 21.1. 2022: Alda Music (dreifing).
Kom einnig út á hljómplötu.
Útgáfunúmer: SOLEYMM2021AL
Útgáfudagur: 22.10.2021
Strikamerki: 5690738100162
Hljóðskrá og upplýsingar 21.1. 2022: Alda Music (dreifing).
Kom einnig út á hljómplötu.
Útgáfunúmer: SOLEYMM2021AL
Útgáfudagur: 22.10.2021
Strikamerki: 5690738100162
Hljóðskrá og upplýsingar 21.1. 2022: Alda Music (dreifing).
Kom einnig út á hljómplötu.
Útgáfunúmer: SOLEYMM2021AL
Útgáfudagur: 22.10.2021
Strikamerki: 5690738100162
Hljóðskrá og upplýsingar 21.1. 2022: Alda Music (dreifing).
Kom einnig út á hljómplötu.
Útgáfunúmer: SOLEYMM2021AL
Útgáfudagur: 22.10.2021
Strikamerki: 5690738100162
Hljóðskrá og upplýsingar 21.1. 2022: Alda Music (dreifing).
