World Narcosis eru: Ægir Sindri Bjarnason, trommur; Halla Kristjánsdóttir, bassi; Sindri Ström, gítar; Viktor Kaldalóns Þórhallsson, söngur.
Afritað 11.10. 2017 á https://bandcamp.com/ með kóða frá útgefanda. Kom einnig út á hljómplötu.
World Narcosis eru: Ægir Sindri Bjarnason, trommur; Halla Kristjánsdóttir, bassi; Sindri Ström, gítar; Viktor Kaldalóns Þórhallsson, söngur.
Afritað 11.10. 2017 á https://bandcamp.com/ með kóða frá útgefanda. Kom einnig út á hljómplötu.
[Upplýsingar um höfund á streymisveitunni Tidal.]
Upplýsingar á Bandcamp:
released January 12, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/accepting-uncertainty
[Upplýsingar um höfund á streymisveitunni Tidal.]
Upplýsingar á Bandcamp:
released January 12, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/accepting-uncertainty
MSEA er Maria-Carmela Raso.
[Upplýsingar um höfunda á streymisveitunni Tidal.]
Upplýsingar á Bandcamp:
released January 12, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/accepting-uncertainty
MSEA er Maria-Carmela Raso.
[Upplýsingar um höfunda á streymisveitunni Tidal.]
Upplýsingar á Bandcamp:
released January 12, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/accepting-uncertainty
[Upplýsingar um höfund á streymisveitunni Tidal.]
Upplýsingar á Bandcamp:
released January 12, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/accepting-uncertainty
Ægir Sindri Bjarnason 1993-; Manatrizio, Diego Leandro, 1993-
Útgefandi:
Dreymandi hundur
Athugasemd:
Upplýsingar á Bandcamp:
All songs composed and played by dreymandi hundur.
Recorded, mixed and mastered by Ægir Sindri Bjarnason at R6013.
Cover art by Diego Manatrizio.
dreymandi hundur is:
Ægir Sindri Bjarnason on drums and electronics.
Diego Manatrizio on guitar and electronics.
dreymandi.hundur@gmail.com
released April 9, 2021
Afritað 9.4. 2021 af: https://dreymandihundur.bandcamp.com/album/af-hverju-gr-tur-hundurinn-minn-me-an-hann-sefur
Ægir Sindri Bjarnason 1993-; Manatrizio, Diego Leandro, 1993-
Útgefandi:
Dreymandi hundur
Athugasemd:
Upplýsingar á Bandcamp:
All songs composed and played by dreymandi hundur.
Recorded, mixed and mastered by Ægir Sindri Bjarnason at R6013.
Cover art by Diego Manatrizio.
dreymandi hundur is:
Ægir Sindri Bjarnason on drums and electronics.
Diego Manatrizio on guitar and electronics.
dreymandi.hundur@gmail.com
released April 9, 2021
Afritað 9.4. 2021 af: https://dreymandihundur.bandcamp.com/album/af-hverju-gr-tur-hundurinn-minn-me-an-hann-sefur
Ægir Sindri Bjarnason 1993-; Manatrizio, Diego Leandro, 1993-
Útgefandi:
Dreymandi hundur
Athugasemd:
Upplýsingar á Bandcamp:
All songs composed and played by dreymandi hundur.
Recorded, mixed and mastered by Ægir Sindri Bjarnason at R6013.
Cover art by Diego Manatrizio.
dreymandi hundur is:
Ægir Sindri Bjarnason on drums and electronics.
Diego Manatrizio on guitar and electronics.
dreymandi.hundur@gmail.com
released April 9, 2021
Afritað 9.4. 2021 af: https://dreymandihundur.bandcamp.com/album/af-hverju-gr-tur-hundurinn-minn-me-an-hann-sefur
Upplýsingar á Bandcamp (https://agalma.bandcamp.com/album/agalma-xi):
Agalma XI is an improvised session recorded in Mengi on February 23rd 2021 featuring Atli Finnsson, Eiríkur Orri Ólafsson, Ronja Jóhannsdóttir & Ægir Sindri Bjarnason.
released September 9, 2021
Atli Finnsson: Electronics
Eiríkur Orri Ólafsson: Trumpet & Electronics
Ronja Jóhannsdóttir: Electronics
Ægir Sindri Bjarnason: Drums & Electronics
Artwork: Ragnar Jónsson
Recording: Guðmundur Arnalds & Ragnheiður Elísabet
Mixing & Mastering: Guðmundur Arnalds
special thanks: Örlygur Steinar Arnalds
Afritað 25.11. 2022 af:
https://agalma.bandcamp.com/album/agalma-xi
Upplýsingar á Bandcamp (https://agalma.bandcamp.com/album/agalma-xi):
Agalma XI is an improvised session recorded in Mengi on February 23rd 2021 featuring Atli Finnsson, Eiríkur Orri Ólafsson, Ronja Jóhannsdóttir & Ægir Sindri Bjarnason.
released September 9, 2021
Atli Finnsson: Electronics
Eiríkur Orri Ólafsson: Trumpet & Electronics
Ronja Jóhannsdóttir: Electronics
Ægir Sindri Bjarnason: Drums & Electronics
Artwork: Ragnar Jónsson
Recording: Guðmundur Arnalds & Ragnheiður Elísabet
Mixing & Mastering: Guðmundur Arnalds
special thanks: Örlygur Steinar Arnalds
Afritað 25.11. 2022 af:
https://agalma.bandcamp.com/album/agalma-xi
Upplýsingar á Bandcamp (https://agalma.bandcamp.com/album/agalma-xi):
Agalma XI is an improvised session recorded in Mengi on February 23rd 2021 featuring Atli Finnsson, Eiríkur Orri Ólafsson, Ronja Jóhannsdóttir & Ægir Sindri Bjarnason.
released September 9, 2021
Atli Finnsson: Electronics
Eiríkur Orri Ólafsson: Trumpet & Electronics
Ronja Jóhannsdóttir: Electronics
Ægir Sindri Bjarnason: Drums & Electronics
Artwork: Ragnar Jónsson
Recording: Guðmundur Arnalds & Ragnheiður Elísabet
Mixing & Mastering: Guðmundur Arnalds
special thanks: Örlygur Steinar Arnalds
Afritað 25.11. 2022 af:
https://agalma.bandcamp.com/album/agalma-xi
Upplýsingar á Bandcamp (https://agalma.bandcamp.com/album/agalma-xi):
Agalma XI is an improvised session recorded in Mengi on February 23rd 2021 featuring Atli Finnsson, Eiríkur Orri Ólafsson, Ronja Jóhannsdóttir & Ægir Sindri Bjarnason.
released September 9, 2021
Atli Finnsson: Electronics
Eiríkur Orri Ólafsson: Trumpet & Electronics
Ronja Jóhannsdóttir: Electronics
Ægir Sindri Bjarnason: Drums & Electronics
Artwork: Ragnar Jónsson
Recording: Guðmundur Arnalds & Ragnheiður Elísabet
Mixing & Mastering: Guðmundur Arnalds
special thanks: Örlygur Steinar Arnalds
Afritað 25.11. 2022 af:
https://agalma.bandcamp.com/album/agalma-xi
Upplýsingar á Bandcamp (https://aegir.bandcamp.com/album/bridges-i):
released October 7, 2022
Afritað 18.9. 2023 af:
https://aegir.bandcamp.com/album/bridges-i
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Kom einnig út á samnefndri hljómplötu.
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Afritað 2.9. 2019 af: https://deadherring.bandcamp.com/album/dead-herring-grit-teeth-split-7
Kom einnig út á samnefndri hljómplötu.
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Afritað 2.9. 2019 af: https://deadherring.bandcamp.com/album/dead-herring-grit-teeth-split-7
Kom einnig út á samnefndri hljómplötu.
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Afritað 2.9. 2019 af: https://deadherring.bandcamp.com/album/dead-herring-grit-teeth-split-7
Kom einnig út á samnefndri hljómplötu.
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Afritað 2.9. 2019 af: https://deadherring.bandcamp.com/album/dead-herring-grit-teeth-split-7
Birkir Óli Barkarson 1990-; Dagur Bollason 1991-; Hörður Lúðvíksson 1991-; Jón Már Ásbjörnsson 1991-
Útgefandi:
Why not? Plötur!
Athugasemd:
Kom einnig út á samnefndri hljómplötu.
Grit Teeth eru: Dagur Bollason, bassi, söngur ; Jón Már Ásbjörnsson, gítar, söngur ; Hörður Lúðvíksson, gítar, söngur ; Birkir Óli Barkarson, trommur.
Afritað 2.9. 2019 af: https://deadherring.bandcamp.com/album/dead-herring-grit-teeth-split-7
Birkir Óli Barkarson 1990-; Dagur Bollason 1991-; Hörður Lúðvíksson 1991-; Jón Már Ásbjörnsson 1991-
Útgefandi:
Why not? Plötur!
Athugasemd:
Kom einnig út á samnefndri hljómplötu.
Grit Teeth eru: Dagur Bollason, bassi, söngur ; Jón Már Ásbjörnsson, gítar, söngur ; Hörður Lúðvíksson, gítar, söngur ; Birkir Óli Barkarson, trommur.
Afritað 2.9. 2019 af: https://deadherring.bandcamp.com/album/dead-herring-grit-teeth-split-7
Birkir Óli Barkarson 1990-; Dagur Bollason 1991-; Hörður Lúðvíksson 1991-; Jón Már Ásbjörnsson 1991-
Útgefandi:
Why not? Plötur!
Athugasemd:
Kom einnig út á samnefndri hljómplötu.
Grit Teeth eru: Dagur Bollason, bassi, söngur ; Jón Már Ásbjörnsson, gítar, söngur ; Hörður Lúðvíksson, gítar, söngur ; Birkir Óli Barkarson, trommur.
Afritað 2.9. 2019 af: https://deadherring.bandcamp.com/album/dead-herring-grit-teeth-split-7
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
The Little Deathbells eru Ægir Sindri Bjarnason og Maria-Carmela Raso.
Upplýsingar á Bandcamp:
released December 11, 2020
Afritað 3.11. 2023 af:
https://thelittledeathbells.bandcamp.com/track/ekki-skemma-j-lin-m-n
Ívar Karl Bjarnason 1990-; Kristján Friðbjörn Sigurðsson 1988-; Óðinn Dagur Bjarnason 1994-; Úlfur Alexander Einarsson 1987-; Ægir Sindri Bjarnason 1993-
Athugasemd:
Hljómsveitina Klikk skipa: Ívar Karl Bjarnason, Kristján Friðbjörn Sigurðsson, Óðinn Dagur Bjarnason, Úlfur Alexander Einarsson og , Ægir Sindri Bjarnason.
Afritað 10.10. 2017 af: https://klikk.bandcamp.com/album/klikk-ep
Ívar Karl Bjarnason 1990-; Kristján Friðbjörn Sigurðsson 1988-; Óðinn Dagur Bjarnason 1994-; Úlfur Alexander Einarsson 1987-; Ægir Sindri Bjarnason 1993-
Athugasemd:
Hljómsveitina Klikk skipa: Ívar Karl Bjarnason, Kristján Friðbjörn Sigurðsson, Óðinn Dagur Bjarnason, Úlfur Alexander Einarsson og , Ægir Sindri Bjarnason.
Afritað 10.10. 2017 af: https://klikk.bandcamp.com/album/klikk-ep
Ívar Karl Bjarnason 1990-; Kristján Friðbjörn Sigurðsson 1988-; Óðinn Dagur Bjarnason 1994-; Úlfur Alexander Einarsson 1987-; Ægir Sindri Bjarnason 1993-
Athugasemd:
Hljómsveitina Klikk skipa: Ívar Karl Bjarnason, Kristján Friðbjörn Sigurðsson, Óðinn Dagur Bjarnason, Úlfur Alexander Einarsson og , Ægir Sindri Bjarnason.
Afritað 10.10. 2017 af: https://klikk.bandcamp.com/album/klikk-ep
Ívar Karl Bjarnason 1990-; Kristján Friðbjörn Sigurðsson 1988-; Óðinn Dagur Bjarnason 1994-; Úlfur Alexander Einarsson 1987-; Ægir Sindri Bjarnason 1993-
Athugasemd:
Hljómsveitina Klikk skipa: Ívar Karl Bjarnason, Kristján Friðbjörn Sigurðsson, Óðinn Dagur Bjarnason, Úlfur Alexander Einarsson og , Ægir Sindri Bjarnason.
Afritað 10.10. 2017 af: https://klikk.bandcamp.com/album/klikk-ep
Ívar Karl Bjarnason 1990; Ægir Sindri Bjarnason 1993; Óðinn Dagur Bjarnason 1994; Kristján Friðbjörn Sigurðsson 1988; Úlfur Alexander Einarsson 1987
Útgefandi:
Why not? Plötuútgáfa!
Athugasemd:
Hljómsveitina Klikk skipa: Ívar Karl Bjarnason, Ægir Sindri Bjarnason, Óðinn Dagur Bjarnason, Kristján Friðbjörn Sigurðsson og Úlfur Alexander Einarsson.
Afritað 10.10. 2017 af: https://klikk.bandcamp.com/album/klikkby-still-young-d-j-vu-live-h-rra
Ívar Karl Bjarnason 1990; Ægir Sindri Bjarnason 1993; Óðinn Dagur Bjarnason 1994; Kristján Friðbjörn Sigurðsson 1988; Úlfur Alexander Einarsson 1987
Útgefandi:
Why not? Plötuútgáfa!
Athugasemd:
Hljómsveitina Klikk skipa: Ívar Karl Bjarnason, Ægir Sindri Bjarnason, Óðinn Dagur Bjarnason, Kristján Friðbjörn Sigurðsson og Úlfur Alexander Einarsson.
Afritað 10.10. 2017 af: https://klikk.bandcamp.com/album/klikkby-still-young-d-j-vu-live-h-rra
Ívar Karl Bjarnason 1990; Ægir Sindri Bjarnason 1993; Óðinn Dagur Bjarnason 1994; Kristján Friðbjörn Sigurðsson 1988; Úlfur Alexander Einarsson 1987
Útgefandi:
Why not? Plötuútgáfa!
Athugasemd:
Hljómsveitina Klikk skipa: Ívar Karl Bjarnason, Ægir Sindri Bjarnason, Óðinn Dagur Bjarnason, Kristján Friðbjörn Sigurðsson og Úlfur Alexander Einarsson.
Afritað 10.10. 2017 af: https://klikk.bandcamp.com/album/klikkby-still-young-d-j-vu-live-h-rra
Ívar Karl Bjarnason 1990; Ægir Sindri Bjarnason 1993; Óðinn Dagur Bjarnason 1994; Kristján Friðbjörn Sigurðsson 1988; Úlfur Alexander Einarsson 1987
Útgefandi:
Why not? Plötuútgáfa!
Athugasemd:
Hljómsveitina Klikk skipa: Ívar Karl Bjarnason, Ægir Sindri Bjarnason, Óðinn Dagur Bjarnason, Kristján Friðbjörn Sigurðsson og Úlfur Alexander Einarsson.
Afritað 10.10. 2017 af: https://klikk.bandcamp.com/album/klikkby-still-young-d-j-vu-live-h-rra
Ívar Karl Bjarnason 1990; Ægir Sindri Bjarnason 1993; Óðinn Dagur Bjarnason 1994; Kristján Friðbjörn Sigurðsson 1988; Úlfur Alexander Einarsson 1987
Útgefandi:
Why not? Plötuútgáfa!
Athugasemd:
Hljómsveitina Klikk skipa: Ívar Karl Bjarnason, Ægir Sindri Bjarnason, Óðinn Dagur Bjarnason, Kristján Friðbjörn Sigurðsson og Úlfur Alexander Einarsson.
Afritað 10.10. 2017 af: https://klikk.bandcamp.com/album/klikkby-still-young-d-j-vu-live-h-rra
Ívar Karl Bjarnason 1990; Ægir Sindri Bjarnason 1993; Óðinn Dagur Bjarnason 1994; Kristján Friðbjörn Sigurðsson 1988; Úlfur Alexander Einarsson 1987
Útgefandi:
Why not? Plötuútgáfa!
Athugasemd:
Hljómsveitina Klikk skipa: Ívar Karl Bjarnason, Ægir Sindri Bjarnason, Óðinn Dagur Bjarnason, Kristján Friðbjörn Sigurðsson og Úlfur Alexander Einarsson.
Afritað 10.10. 2017 af: https://klikk.bandcamp.com/album/klikkby-still-young-d-j-vu-live-h-rra
Ívar Karl Bjarnason 1990; Ægir Sindri Bjarnason 1993; Óðinn Dagur Bjarnason 1994; Kristján Friðbjörn Sigurðsson 1988; Úlfur Alexander Einarsson 1987
Útgefandi:
Why not? Plötuútgáfa!
Athugasemd:
Hljómsveitina Klikk skipa: Ívar Karl Bjarnason, Ægir Sindri Bjarnason, Óðinn Dagur Bjarnason, Kristján Friðbjörn Sigurðsson og Úlfur Alexander Einarsson.
Afritað 10.10. 2017 af: https://klikk.bandcamp.com/album/klikkby-still-young-d-j-vu-live-h-rra
Ívar Karl Bjarnason 1990; Ægir Sindri Bjarnason 1993; Óðinn Dagur Bjarnason 1994; Kristján Friðbjörn Sigurðsson 1988; Úlfur Alexander Einarsson 1987
Útgefandi:
Why not? Plötuútgáfa!
Athugasemd:
Hljómsveitina Klikk skipa: Ívar Karl Bjarnason, Ægir Sindri Bjarnason, Óðinn Dagur Bjarnason, Kristján Friðbjörn Sigurðsson og Úlfur Alexander Einarsson.
Afritað 10.10. 2017 af: https://klikk.bandcamp.com/album/klikkby-still-young-d-j-vu-live-h-rra
Ívar Karl Bjarnason 1990; Ægir Sindri Bjarnason 1993; Óðinn Dagur Bjarnason 1994; Kristján Friðbjörn Sigurðsson 1988; Úlfur Alexander Einarsson 1987
Útgefandi:
Why not? Plötuútgáfa!
Athugasemd:
Hljómsveitina Klikk skipa: Ívar Karl Bjarnason, Ægir Sindri Bjarnason, Óðinn Dagur Bjarnason, Kristján Friðbjörn Sigurðsson og Úlfur Alexander Einarsson.
Afritað 10.10. 2017 af: https://klikk.bandcamp.com/album/klikkby-still-young-d-j-vu-live-h-rra
World Narcosis eru: Ægir Sindri Bjarnason, trommur ; Halla Kristjánsdóttir, bassi ; Sindri Ström, gítar ; Viktor Kaldalóns Þórhallsson, söngur ; Sindri Stefánsson, gítar. [Upplýsingar um hljómsveitarskipan frá Ægi Sindra.]
Upplýsingar á Bandcamp:
released April 2, 2021
Music by World Narcosis.
Lyrics by Viktor.
Recorded/mixed/mastered by Ægir.
Photo by D.G.
Afritað 9.4. 2021 á https://worldnarcosis.bandcamp.com/
World Narcosis eru: Ægir Sindri Bjarnason, trommur ; Halla Kristjánsdóttir, bassi ; Sindri Ström, gítar ; Viktor Kaldalóns Þórhallsson, söngur ; Sindri Stefánsson, gítar. [Upplýsingar um hljómsveitarskipan frá Ægi Sindra.]
Upplýsingar á Bandcamp:
released April 2, 2021
Music by World Narcosis.
Lyrics by Viktor.
Recorded/mixed/mastered by Ægir.
Photo by D.G.
Afritað 9.4. 2021 á https://worldnarcosis.bandcamp.com/
World Narcosis eru: Ægir Sindri Bjarnason, trommur ; Halla Kristjánsdóttir, bassi ; Sindri Ström, gítar ; Viktor Kaldalóns Þórhallsson, söngur ; Sindri Stefánsson, gítar. [Upplýsingar um hljómsveitarskipan frá Ægi Sindra.]
Upplýsingar á Bandcamp:
released April 2, 2021
Music by World Narcosis.
Lyrics by Viktor.
Recorded/mixed/mastered by Ægir.
Photo by D.G.
Afritað 9.4. 2021 á https://worldnarcosis.bandcamp.com/
World Narcosis eru: Ægir Sindri Bjarnason, trommur; Halla Kristjánsdóttir, bassi; Sindri Ström, gítar; Viktor Kaldalóns Þórhallsson, söngur.
Kom einnig út á hljómplötu.
Afritað 21.5. 2019 af: https://worldnarcosis.bandcamp.com/album/lyrulj-ra
World Narcosis eru: Ægir Sindri Bjarnason, trommur; Halla Kristjánsdóttir, bassi; Sindri Ström, gítar; Viktor Kaldalóns Þórhallsson, söngur.
Kom einnig út á hljómplötu.
Afritað 21.5. 2019 af: https://worldnarcosis.bandcamp.com/album/lyrulj-ra
World Narcosis eru: Ægir Sindri Bjarnason, trommur; Halla Kristjánsdóttir, bassi; Sindri Ström, gítar; Viktor Kaldalóns Þórhallsson, söngur.
Kom einnig út á hljómplötu.
Afritað 21.5. 2019 af: https://worldnarcosis.bandcamp.com/album/lyrulj-ra
World Narcosis eru: Ægir Sindri Bjarnason, trommur; Halla Kristjánsdóttir, bassi; Sindri Ström, gítar; Viktor Kaldalóns Þórhallsson, söngur.
Kom einnig út á hljómplötu.
Afritað 21.5. 2019 af: https://worldnarcosis.bandcamp.com/album/lyrulj-ra
World Narcosis eru: Ægir Sindri Bjarnason, trommur; Halla Kristjánsdóttir, bassi; Sindri Ström, gítar; Viktor Kaldalóns Þórhallsson, söngur.
Kom einnig út á hljómplötu.
Afritað 21.5. 2019 af: https://worldnarcosis.bandcamp.com/album/lyrulj-ra
World Narcosis eru: Ægir Sindri Bjarnason, trommur; Halla Kristjánsdóttir, bassi; Sindri Ström, gítar; Viktor Kaldalóns Þórhallsson, söngur.
Kom einnig út á hljómplötu.
Afritað 21.5. 2019 af: https://worldnarcosis.bandcamp.com/album/lyrulj-ra
World Narcosis eru: Ægir Sindri Bjarnason, trommur; Halla Kristjánsdóttir, bassi; Sindri Ström, gítar; Viktor Kaldalóns Þórhallsson, söngur.
Kom einnig út á hljómplötu.
Afritað 21.5. 2019 af: https://worldnarcosis.bandcamp.com/album/lyrulj-ra
World Narcosis eru: Ægir Sindri Bjarnason, trommur; Halla Kristjánsdóttir, bassi; Sindri Ström, gítar; Viktor Kaldalóns Þórhallsson, söngur.
Kom einnig út á hljómplötu.
Afritað 21.5. 2019 af: https://worldnarcosis.bandcamp.com/album/lyrulj-ra
World Narcosis eru: Ægir Sindri Bjarnason, trommur; Halla Kristjánsdóttir, bassi; Sindri Ström, gítar; Viktor Kaldalóns Þórhallsson, söngur.
Kom einnig út á hljómplötu.
Afritað 21.5. 2019 af: https://worldnarcosis.bandcamp.com/album/lyrulj-ra
World Narcosis eru: Ægir Sindri Bjarnason, trommur; Halla Kristjánsdóttir, bassi; Sindri Ström, gítar; Viktor Kaldalóns Þórhallsson, söngur.
Kom einnig út á hljómplötu.
Afritað 21.5. 2019 af: https://worldnarcosis.bandcamp.com/album/lyrulj-ra
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar á Bandcamp
released November 4, 2022
Recorded & mixed by Ægir Sindri @ R6013
Mastered by Brat Boatright @ Audiosiege
Artwork by Ylfa Þöll
Afritað 11.11. 2022 af: https://deadherring.bandcamp.com/album/moodeater
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar á Bandcamp
released November 4, 2022
Recorded & mixed by Ægir Sindri @ R6013
Mastered by Brat Boatright @ Audiosiege
Artwork by Ylfa Þöll
Afritað 11.11. 2022 af: https://deadherring.bandcamp.com/album/moodeater
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar á Bandcamp
released November 4, 2022
Recorded & mixed by Ægir Sindri @ R6013
Mastered by Brat Boatright @ Audiosiege
Artwork by Ylfa Þöll
Afritað 11.11. 2022 af: https://deadherring.bandcamp.com/album/moodeater
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar á Bandcamp
released November 4, 2022
Recorded & mixed by Ægir Sindri @ R6013
Mastered by Brat Boatright @ Audiosiege
Artwork by Ylfa Þöll
Afritað 11.11. 2022 af: https://deadherring.bandcamp.com/album/moodeater
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar á Bandcamp
released November 4, 2022
Recorded & mixed by Ægir Sindri @ R6013
Mastered by Brat Boatright @ Audiosiege
Artwork by Ylfa Þöll
Afritað 11.11. 2022 af: https://deadherring.bandcamp.com/album/moodeater
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar á Bandcamp
released November 4, 2022
Recorded & mixed by Ægir Sindri @ R6013
Mastered by Brat Boatright @ Audiosiege
Artwork by Ylfa Þöll
Afritað 11.11. 2022 af: https://deadherring.bandcamp.com/album/moodeater
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar á Bandcamp
released November 4, 2022
Recorded & mixed by Ægir Sindri @ R6013
Mastered by Brat Boatright @ Audiosiege
Artwork by Ylfa Þöll
Afritað 11.11. 2022 af: https://deadherring.bandcamp.com/album/moodeater
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar á Bandcamp
released November 4, 2022
Recorded & mixed by Ægir Sindri @ R6013
Mastered by Brat Boatright @ Audiosiege
Artwork by Ylfa Þöll
Afritað 11.11. 2022 af: https://deadherring.bandcamp.com/album/moodeater
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar á Bandcamp
released November 4, 2022
Recorded & mixed by Ægir Sindri @ R6013
Mastered by Brat Boatright @ Audiosiege
Artwork by Ylfa Þöll
Afritað 11.11. 2022 af: https://deadherring.bandcamp.com/album/moodeater
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar á Bandcamp
released November 4, 2022
Recorded & mixed by Ægir Sindri @ R6013
Mastered by Brat Boatright @ Audiosiege
Artwork by Ylfa Þöll
Afritað 11.11. 2022 af: https://deadherring.bandcamp.com/album/moodeater
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar á Bandcamp
released November 4, 2022
Recorded & mixed by Ægir Sindri @ R6013
Mastered by Brat Boatright @ Audiosiege
Artwork by Ylfa Þöll
Afritað 11.11. 2022 af: https://deadherring.bandcamp.com/album/moodeater
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar á Bandcamp
released November 4, 2022
Recorded & mixed by Ægir Sindri @ R6013
Mastered by Brat Boatright @ Audiosiege
Artwork by Ylfa Þöll
Afritað 11.11. 2022 af: https://deadherring.bandcamp.com/album/moodeater
AfterpartyAngel eru Elísabet Birta Sveinsdóttir og Heimir Gestur Valdimarsson.
Kom einnig út á snældu.
Afritað 11.11. 2020 af: https://myrkfaelni.bandcamp.com/album/myrkf-lni-4
Ríkharður Sigurjónsson 1996-; Björn Heimir Önundarson 1996-; Kjartan Kolbeinsson 1997-
Útgefandi:
Myrkfælni
Athugasemd:
Captain Syrup eru: Ríkharður Sigurjónsson ; Björn Heimir Önundarson ; Kjartan Kolbeinsson.
Kom einnig út á snældu.
Afritað 11.11. 2020 af: https://myrkfaelni.bandcamp.com/album/myrkf-lni-4
BSÍ eru: Sigurlaug Thorarensen, söngur, trommur ; Julius Rothlaender, bassi, hljóðgervill.
Kom einnig út á snældu.
Afritað 11.11. 2020 af: https://myrkfaelni.bandcamp.com/album/myrkf-lni-4
Upplýsingar á Bandcamp:
i've been thinking about this for a long time; making a record that's based around the snaps, crackles and pops found in the loop at the end of a vinyl record that keeps spinning and spinning and spinning until you tell it to stop. i often find myself not wanting to hit the stop button because there are some very interesting rhythms in there that i've fallen in love with.
one such loop forms the foundation of each song but is processed to bring out different things. the rest of the song is built from samples recorded from the same record as the loop - often tiny snippets of sound that are stretched and screwed with and made pretty much unrecognizable; tabla and bells turn into kick drums, voices into strange rhythmic devices, plucked strings into ambient drones.
released November 6, 2021
artwork assembled by þórir georg.
takk maria-carmela, takk julius, takk þórir, takk alison, takk erik, takk þú.
Afritað 23.3. 2022 af: https://aegir.bandcamp.com/album/tem-end-lopo
Upplýsingar á Bandcamp:
i've been thinking about this for a long time; making a record that's based around the snaps, crackles and pops found in the loop at the end of a vinyl record that keeps spinning and spinning and spinning until you tell it to stop. i often find myself not wanting to hit the stop button because there are some very interesting rhythms in there that i've fallen in love with.
one such loop forms the foundation of each song but is processed to bring out different things. the rest of the song is built from samples recorded from the same record as the loop - often tiny snippets of sound that are stretched and screwed with and made pretty much unrecognizable; tabla and bells turn into kick drums, voices into strange rhythmic devices, plucked strings into ambient drones.
released November 6, 2021
artwork assembled by þórir georg.
takk maria-carmela, takk julius, takk þórir, takk alison, takk erik, takk þú.
Afritað 23.3. 2022 af: https://aegir.bandcamp.com/album/tem-end-lopo
Upplýsingar á Bandcamp:
i've been thinking about this for a long time; making a record that's based around the snaps, crackles and pops found in the loop at the end of a vinyl record that keeps spinning and spinning and spinning until you tell it to stop. i often find myself not wanting to hit the stop button because there are some very interesting rhythms in there that i've fallen in love with.
one such loop forms the foundation of each song but is processed to bring out different things. the rest of the song is built from samples recorded from the same record as the loop - often tiny snippets of sound that are stretched and screwed with and made pretty much unrecognizable; tabla and bells turn into kick drums, voices into strange rhythmic devices, plucked strings into ambient drones.
released November 6, 2021
artwork assembled by þórir georg.
takk maria-carmela, takk julius, takk þórir, takk alison, takk erik, takk þú.
Afritað 23.3. 2022 af: https://aegir.bandcamp.com/album/tem-end-lopo
Upplýsingar á Bandcamp:
i've been thinking about this for a long time; making a record that's based around the snaps, crackles and pops found in the loop at the end of a vinyl record that keeps spinning and spinning and spinning until you tell it to stop. i often find myself not wanting to hit the stop button because there are some very interesting rhythms in there that i've fallen in love with.
one such loop forms the foundation of each song but is processed to bring out different things. the rest of the song is built from samples recorded from the same record as the loop - often tiny snippets of sound that are stretched and screwed with and made pretty much unrecognizable; tabla and bells turn into kick drums, voices into strange rhythmic devices, plucked strings into ambient drones.
released November 6, 2021
artwork assembled by þórir georg.
takk maria-carmela, takk julius, takk þórir, takk alison, takk erik, takk þú.
Afritað 23.3. 2022 af: https://aegir.bandcamp.com/album/tem-end-lopo
Upplýsingar á Bandcamp:
released June 18, 2021
Music by Ægir Sindri.
Mastered by Kári Einarsson.
Cover photo by Patrik Ontkovic.
Takk takk takk takk takk always and forever, Maria-Carmela, Erik, Julius, Patrik, Óðinn, Alison, sideproject and my incredibly generous Patreon supporters.
Afritað 23.3. 2022 af: https://aegir.bandcamp.com/album/the-earth-grew-uncertain
Upplýsingar á Bandcamp:
released June 18, 2021
Music by Ægir Sindri.
Mastered by Kári Einarsson.
Cover photo by Patrik Ontkovic.
Takk takk takk takk takk always and forever, Maria-Carmela, Erik, Julius, Patrik, Óðinn, Alison, sideproject and my incredibly generous Patreon supporters.
Afritað 23.3. 2022 af: https://aegir.bandcamp.com/album/the-earth-grew-uncertain
Upplýsingar á Bandcamp:
released June 18, 2021
Music by Ægir Sindri.
Mastered by Kári Einarsson.
Cover photo by Patrik Ontkovic.
Takk takk takk takk takk always and forever, Maria-Carmela, Erik, Julius, Patrik, Óðinn, Alison, sideproject and my incredibly generous Patreon supporters.
Afritað 23.3. 2022 af: https://aegir.bandcamp.com/album/the-earth-grew-uncertain
Upplýsingar á Bandcamp:
released June 18, 2021
Music by Ægir Sindri.
Mastered by Kári Einarsson.
Cover photo by Patrik Ontkovic.
Takk takk takk takk takk always and forever, Maria-Carmela, Erik, Julius, Patrik, Óðinn, Alison, sideproject and my incredibly generous Patreon supporters.
Afritað 23.3. 2022 af: https://aegir.bandcamp.com/album/the-earth-grew-uncertain
Upplýsingar á Bandcamp:
released June 18, 2021
Music by Ægir Sindri.
Mastered by Kári Einarsson.
Cover photo by Patrik Ontkovic.
Takk takk takk takk takk always and forever, Maria-Carmela, Erik, Julius, Patrik, Óðinn, Alison, sideproject and my incredibly generous Patreon supporters.
Afritað 23.3. 2022 af: https://aegir.bandcamp.com/album/the-earth-grew-uncertain
Upplýsingar á Bandcamp:
released June 18, 2021
Music by Ægir Sindri.
Mastered by Kári Einarsson.
Cover photo by Patrik Ontkovic.
Takk takk takk takk takk always and forever, Maria-Carmela, Erik, Julius, Patrik, Óðinn, Alison, sideproject and my incredibly generous Patreon supporters.
Afritað 23.3. 2022 af: https://aegir.bandcamp.com/album/the-earth-grew-uncertain
Upplýsingar á Bandcamp:
released June 18, 2021
Music by Ægir Sindri.
Mastered by Kári Einarsson.
Cover photo by Patrik Ontkovic.
Takk takk takk takk takk always and forever, Maria-Carmela, Erik, Julius, Patrik, Óðinn, Alison, sideproject and my incredibly generous Patreon supporters.
Afritað 23.3. 2022 af: https://aegir.bandcamp.com/album/the-earth-grew-uncertain
Upplýsingar á Bandcamp:
released June 18, 2021
Music by Ægir Sindri.
Mastered by Kári Einarsson.
Cover photo by Patrik Ontkovic.
Takk takk takk takk takk always and forever, Maria-Carmela, Erik, Julius, Patrik, Óðinn, Alison, sideproject and my incredibly generous Patreon supporters.
Afritað 23.3. 2022 af: https://aegir.bandcamp.com/album/the-earth-grew-uncertain