Matthías S. Magnússon 1960-; Einar Melax 1962-; Þór Eldon 1962-; Ólafur Jóhann Engilbertsson 1960-
Textahöfundur:
Þór Eldon 1962-; Ólafur Jóhann Engilbertsson 1960-
Útgefandi:
Pönksafn Íslands
Athugasemd:
Fan Houtens Kókó eru: Matthías Magnússon, söngur og hljóðgervill ; Einar Melax, hljómborð og gítar ; Þór Eldon, söngur og gítar ; Ólafur Engilbertsson, bassi.
World Narcosis eru: Ægir Sindri Bjarnason, trommur; Halla Kristjánsdóttir, bassi; Sindri Ström, gítar; Viktor Kaldalóns Þórhallsson, söngur.
Afritað 11.10. 2017 á https://bandcamp.com/ með kóða frá útgefanda. Kom einnig út á hljómplötu.
World Narcosis eru: Ægir Sindri Bjarnason, trommur; Halla Kristjánsdóttir, bassi; Sindri Ström, gítar; Viktor Kaldalóns Þórhallsson, söngur.
Afritað 11.10. 2017 á https://bandcamp.com/ með kóða frá útgefanda. Kom einnig út á hljómplötu.
[Upplýsingar um höfund á streymisveitunni Tidal.]
Upplýsingar á Bandcamp:
released January 12, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/accepting-uncertainty
[Upplýsingar um höfund á streymisveitunni Tidal.]
Upplýsingar á Bandcamp:
released January 12, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/accepting-uncertainty
MSEA er Maria-Carmela Raso.
[Upplýsingar um höfunda á streymisveitunni Tidal.]
Upplýsingar á Bandcamp:
released January 12, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/accepting-uncertainty
MSEA er Maria-Carmela Raso.
[Upplýsingar um höfunda á streymisveitunni Tidal.]
Upplýsingar á Bandcamp:
released January 12, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/accepting-uncertainty
[Upplýsingar um höfund á streymisveitunni Tidal.]
Upplýsingar á Bandcamp:
released January 12, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/accepting-uncertainty
Ægir Sindri Bjarnason 1993-; Manatrizio, Diego Leandro, 1993-
Útgefandi:
Dreymandi hundur
Athugasemd:
Upplýsingar á Bandcamp:
All songs composed and played by dreymandi hundur.
Recorded, mixed and mastered by Ægir Sindri Bjarnason at R6013.
Cover art by Diego Manatrizio.
dreymandi hundur is:
Ægir Sindri Bjarnason on drums and electronics.
Diego Manatrizio on guitar and electronics.
dreymandi.hundur@gmail.com
released April 9, 2021
Afritað 9.4. 2021 af: https://dreymandihundur.bandcamp.com/album/af-hverju-gr-tur-hundurinn-minn-me-an-hann-sefur
Ægir Sindri Bjarnason 1993-; Manatrizio, Diego Leandro, 1993-
Útgefandi:
Dreymandi hundur
Athugasemd:
Upplýsingar á Bandcamp:
All songs composed and played by dreymandi hundur.
Recorded, mixed and mastered by Ægir Sindri Bjarnason at R6013.
Cover art by Diego Manatrizio.
dreymandi hundur is:
Ægir Sindri Bjarnason on drums and electronics.
Diego Manatrizio on guitar and electronics.
dreymandi.hundur@gmail.com
released April 9, 2021
Afritað 9.4. 2021 af: https://dreymandihundur.bandcamp.com/album/af-hverju-gr-tur-hundurinn-minn-me-an-hann-sefur
Ægir Sindri Bjarnason 1993-; Manatrizio, Diego Leandro, 1993-
Útgefandi:
Dreymandi hundur
Athugasemd:
Upplýsingar á Bandcamp:
All songs composed and played by dreymandi hundur.
Recorded, mixed and mastered by Ægir Sindri Bjarnason at R6013.
Cover art by Diego Manatrizio.
dreymandi hundur is:
Ægir Sindri Bjarnason on drums and electronics.
Diego Manatrizio on guitar and electronics.
dreymandi.hundur@gmail.com
released April 9, 2021
Afritað 9.4. 2021 af: https://dreymandihundur.bandcamp.com/album/af-hverju-gr-tur-hundurinn-minn-me-an-hann-sefur
Upplýsingar á Bandcamp (https://agalma.bandcamp.com/album/agalma-xi):
Agalma XI is an improvised session recorded in Mengi on February 23rd 2021 featuring Atli Finnsson, Eiríkur Orri Ólafsson, Ronja Jóhannsdóttir & Ægir Sindri Bjarnason.
released September 9, 2021
Atli Finnsson: Electronics
Eiríkur Orri Ólafsson: Trumpet & Electronics
Ronja Jóhannsdóttir: Electronics
Ægir Sindri Bjarnason: Drums & Electronics
Artwork: Ragnar Jónsson
Recording: Guðmundur Arnalds & Ragnheiður Elísabet
Mixing & Mastering: Guðmundur Arnalds
special thanks: Örlygur Steinar Arnalds
Afritað 25.11. 2022 af:
https://agalma.bandcamp.com/album/agalma-xi
Upplýsingar á Bandcamp (https://agalma.bandcamp.com/album/agalma-xi):
Agalma XI is an improvised session recorded in Mengi on February 23rd 2021 featuring Atli Finnsson, Eiríkur Orri Ólafsson, Ronja Jóhannsdóttir & Ægir Sindri Bjarnason.
released September 9, 2021
Atli Finnsson: Electronics
Eiríkur Orri Ólafsson: Trumpet & Electronics
Ronja Jóhannsdóttir: Electronics
Ægir Sindri Bjarnason: Drums & Electronics
Artwork: Ragnar Jónsson
Recording: Guðmundur Arnalds & Ragnheiður Elísabet
Mixing & Mastering: Guðmundur Arnalds
special thanks: Örlygur Steinar Arnalds
Afritað 25.11. 2022 af:
https://agalma.bandcamp.com/album/agalma-xi
Upplýsingar á Bandcamp (https://agalma.bandcamp.com/album/agalma-xi):
Agalma XI is an improvised session recorded in Mengi on February 23rd 2021 featuring Atli Finnsson, Eiríkur Orri Ólafsson, Ronja Jóhannsdóttir & Ægir Sindri Bjarnason.
released September 9, 2021
Atli Finnsson: Electronics
Eiríkur Orri Ólafsson: Trumpet & Electronics
Ronja Jóhannsdóttir: Electronics
Ægir Sindri Bjarnason: Drums & Electronics
Artwork: Ragnar Jónsson
Recording: Guðmundur Arnalds & Ragnheiður Elísabet
Mixing & Mastering: Guðmundur Arnalds
special thanks: Örlygur Steinar Arnalds
Afritað 25.11. 2022 af:
https://agalma.bandcamp.com/album/agalma-xi
Upplýsingar á Bandcamp (https://agalma.bandcamp.com/album/agalma-xi):
Agalma XI is an improvised session recorded in Mengi on February 23rd 2021 featuring Atli Finnsson, Eiríkur Orri Ólafsson, Ronja Jóhannsdóttir & Ægir Sindri Bjarnason.
released September 9, 2021
Atli Finnsson: Electronics
Eiríkur Orri Ólafsson: Trumpet & Electronics
Ronja Jóhannsdóttir: Electronics
Ægir Sindri Bjarnason: Drums & Electronics
Artwork: Ragnar Jónsson
Recording: Guðmundur Arnalds & Ragnheiður Elísabet
Mixing & Mastering: Guðmundur Arnalds
special thanks: Örlygur Steinar Arnalds
Afritað 25.11. 2022 af:
https://agalma.bandcamp.com/album/agalma-xi
Haukur Ægir Hauksson 1989-; Jóhann Dagur Þorleifsson 1989-
Útgefandi:
Haukur H
Athugasemd:
Útgáfunúmer: HAUKURBITD2021AL
Útgáfudagur: 29.4.2021
Strikamerki: 5690738096243
[Haukur H er Haukur Ægir Hauksson.
Jói Dagur er Jóhann Dagur Þorleifsson.]
Upptökustjórn: Jóhann Dagur Þorleifsson.
Hljóðskrá og upplýsingar 16.8. 2023: Alda Music (dreifing).
Útgáfunúmer: HAUKURBITD2021AL
Útgáfudagur: 29.4.2021
Strikamerki: 5690738096243
[Haukur H er Haukur Ægir Hauksson.]
Upptökustjórn: Jóhann Dagur Þorleifsson.
Hljóðskrá og upplýsingar 16.8. 2023: Alda Music (dreifing).
Haukur Ægir Hauksson 1989-; Jóhann Dagur Þorleifsson 1989-; Arnar Ólafur Hvanndal 1987-
Útgefandi:
Haukur H
Athugasemd:
Útgáfunúmer: HAUKURBITD2021AL
Útgáfudagur: 29.4.2021
Strikamerki: 5690738096243
[Haukur H er Haukur Ægir Hauksson.
Jói Dagur er Jóhann Dagur Þorleifsson.
Addi Funi er Arnar Ólafur Hvanndal.]
Upptökustjórn: Jóhann Dagur Þorleifsson.
Hljóðskrá og upplýsingar 16.8. 2023: Alda Music (dreifing).
Útgáfunúmer: HAUKURBITD2021AL
Útgáfudagur: 29.4.2021
Strikamerki: 5690738096243
[Haukur H er Haukur Ægir Hauksson.]
Upptökustjórn: Jóhann Dagur Þorleifsson.
Hljóðskrá og upplýsingar 16.8. 2023: Alda Music (dreifing).
Útgáfunúmer: HAUKURBITD2021AL
Útgáfudagur: 29.4.2021
Strikamerki: 5690738096243
[Haukur H er Haukur Ægir Hauksson.]
Upptökustjórn: Jóhann Dagur Þorleifsson.
Hljóðskrá og upplýsingar 16.8. 2023: Alda Music (dreifing).
Útgáfunúmer: HAUKURBITD2021AL
Útgáfudagur: 29.4.2021
Strikamerki: 5690738096243
[Haukur H er Haukur Ægir Hauksson.
Vantar upplýsingar um Guðmund FT.]
Upptökustjórn: Jóhann Dagur Þorleifsson.
Hljóðskrá og upplýsingar 16.8. 2023: Alda Music (dreifing).
Útgáfunúmer: HAUKURBITD2021AL
Útgáfudagur: 29.4.2021
Strikamerki: 5690738096243
[Haukur H er Haukur Ægir Hauksson.]
Upptökustjórn: Jóhann Dagur Þorleifsson.
Hljóðskrá og upplýsingar 16.8. 2023: Alda Music (dreifing).
Útgáfunúmer: HAUKURBITD2021AL
Útgáfudagur: 29.4.2021
Strikamerki: 5690738096243
[Haukur H er Haukur Ægir Hauksson.]
Upptökustjórn: Jóhann Dagur Þorleifsson.
Hljóðskrá og upplýsingar 16.8. 2023: Alda Music (dreifing).
Útgáfunúmer: HAUKURBITD2021AL
Útgáfudagur: 29.4.2021
Strikamerki: 5690738096243
[Haukur H er Haukur Ægir Hauksson.]
Upptökustjórn: Jóhann Dagur Þorleifsson.
Hljóðskrá og upplýsingar 16.8. 2023: Alda Music (dreifing).
Útgáfunúmer: HAUKURBITD2021AL
Útgáfudagur: 29.4.2021
Strikamerki: 5690738096243
[Haukur H er Haukur Ægir Hauksson.]
Upptökustjórn: Jóhann Dagur Þorleifsson.
Hljóðskrá og upplýsingar 16.8. 2023: Alda Music (dreifing).
Söngur: Ellert H. Jóhannsson. Bakraddir: Sandra Dögg Þorsteinsdóttir. Hljóðfæraleikur og upptaka: Sigfús Arnar Benediktsson.
Upplýsingar 16.9. 2022 frá Árna ásamt hljóðskrá gegnum WeTransfer.
Söngur Helena Erla Árnadóttir. Bakraddir: Sandra Dögg Þorsteinsdóttir. Hljóðfæraleikur og upptaka: Sigfús Arnar Benediktsson.
Upplýsingar 16.9. 2022 frá Árna ásamt hljóðskrá gegnum WeTransfer.
Söngur og bakraddir: Sandra Dögg Þorsteinsdóttir. Hljóðfæraleikur og upptaka: Sigfús Arnar Benediktsson.
Upplýsingar 16.9. 2022 frá Árna ásamt hljóðskrá gegnum WeTransfer.
Söngur Áróra Árnadóttir. Bandalaus bassagítar: Dr. Úlfar Ingi Haraldsson. Annar hljóðfæraleikur og upptaka: Sigfús Arnar Benediktsson.
Upplýsingar 16.9. 2022 frá Árna ásamt hljóðskrá gegnum WeTransfer.
Söngur og bakraddir: Sandra Dögg Þorsteinsdóttir. Fiðluleikur: Kristín Halla Bergsdóttir. Bandalaus bassagítar: Dr. Úlfar Ingi Haraldsson. Annar hljóðfæraleikur og upptaka: Sigfús Arnar Benediktsson.
Upplýsingar 16.9. 2022 frá Árna ásamt hljóðskrá gegnum WeTransfer.
Söngur: Sigurlaug Vordís Eysteinsdóttir. Hljóðfæraleikur og upptaka: Sigfús Arnar Benediktsson.
Upplýsingar 16.9. 2022 frá Árna ásamt hljóðskrá gegnum WeTransfer.
Söngur: Guðbrandur Ægir Ásbjörnsson og Sandra Dögg Þorsteinsdóttir. Bakraddir: Árni Gunnarsson, Guðbrandur Ægir og Sandra Dögg. Fiðluleikur. Ragnheiður Silja Have Jónsdóttir.
Upplýsingar 16.9. 2022 frá Árna ásamt hljóðskrá gegnum WeTransfer.
Harpa Þorvaldsdóttir 1980-; Jóhann Ingi Benediktsson 1981-; Guðmundur Atli Pétursson 1981-; Sigmar Þór Matthíasson 1987-
Textahöfundur:
Jóhann Ingi Benediktsson 1981-
Útgefandi:
Brek
Athugasemd:
Brek eru: Harpa Þorvaldsdóttir, söngur, píanó ; Jóhann Ingi Benediktsson, gítar, söngur ; Guðmundur Atli Pétursson, mandólín ; Sigmar Þór Matthíasson, kontrabassi.
Upplýsingar um höfunda frá Guðmundi Atla ásamt hljóðskrá 12.4. 2021 gegnum Google Drive.
Harpa Þorvaldsdóttir 1980-; Jóhann Ingi Benediktsson 1981-; Guðmundur Atli Pétursson 1981-; Sigmar Þór Matthíasson 1987-
Textahöfundur:
Jóhann Ingi Benediktsson 1981-
Útgefandi:
Brek
Athugasemd:
Brek eru: Harpa Þorvaldsdóttir, söngur, píanó ; Jóhann Ingi Benediktsson, gítar, söngur ; Guðmundur Atli Pétursson, mandólín ; Sigmar Þór Matthíasson, kontrabassi.
Upplýsingar um höfunda frá Guðmundi Atla ásamt hljóðskrá 12.4. 2021 gegnum Google Drive.
Harpa Þorvaldsdóttir 1980-; Jóhann Ingi Benediktsson 1981-; Guðmundur Atli Pétursson 1981-; Sigmar Þór Matthíasson 1987-
Textahöfundur:
Haraldur Ægir Guðmundsson 1977-
Útgefandi:
Brek
Athugasemd:
Brek eru: Harpa Þorvaldsdóttir, söngur, píanó ; Jóhann Ingi Benediktsson, gítar, söngur ; Guðmundur Atli Pétursson, mandólín ; Sigmar Þór Matthíasson, kontrabassi.
Upplýsingar um höfunda frá Guðmundi Atla ásamt hljóðskrá 12.4. 2021 gegnum Google Drive.
Harpa Þorvaldsdóttir 1980-; Jóhann Ingi Benediktsson 1981-; Guðmundur Atli Pétursson 1981-; Sigmar Þór Matthíasson 1987-
Textahöfundur:
Ingunn Huld Sævarsdóttir 1983-
Útgefandi:
Brek
Athugasemd:
Brek eru: Harpa Þorvaldsdóttir, söngur, píanó ; Jóhann Ingi Benediktsson, gítar, söngur ; Guðmundur Atli Pétursson, mandólín ; Sigmar Þór Matthíasson, kontrabassi.
Upplýsingar um höfunda frá Guðmundi Atla ásamt hljóðskrá 12.4. 2021 gegnum Google Drive.
Upplýsingar á Bandcamp (https://aegir.bandcamp.com/album/bridges-i):
released October 7, 2022
Afritað 18.9. 2023 af:
https://aegir.bandcamp.com/album/bridges-i
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Upplýsingar á Bandcamp:
This album was recorded January 10th-16th 2022 in a beautiful big white room in Dansverkstæðið. It’s a room I fell for when rehearsing for a weird little dance/theatre performance called Neind Thing - I would often show up early or stay late to play by myself because I just loved how the room sounded and felt - and I started dreaming of doing more there. So I booked the room for a week in the middle of the dark, windy winter of January 2022, brought a whole bunch of instruments and equipment with me, settled in and spent most of those seven days there. I had no set goal in mind, I just wanted to play around, experiment, explore, and record a lot. And I did. I ended up with I-don’t-know-how-many-hours of recordings that I intended to break down and mess with and build something out of, similar to the process of my first album, Crooked Bangs.
For the last year and a half I’ve slowly been digging through these recordings and have found that they contain seeds for at least two or three different albums. BRIDGES II is the first of those.
Throughout the week I was there I played and experimented with a lot of different things, but one of the most prominent ones is feedback, in various forms. I have been fascinated by feedback for a long time and use it a lot in much of the music that I make, but this time I let myself be swallowed by it and, rather than let it fill in empty spaces and cracks in the music, I let it take all the space; be the music.
I kind of thought I was just collecting sounds - building blocks - material to break up and use for something else. But when listening through the sessions I found it really difficult to break the pieces apart. I just thought they were beautiful and exciting on their own. Some are 10 minutes, some 40, one over two hours.
At some point I decided to collect them all in the same place and let them stand as they are.
So here they are.
BRIDGES II is a collection of mostly un-edited performances recorded over the course of that one week in January 2022. They consist of experiments with feedback, vocal loops, guitar pedals and a pair of homemade propane tank hank-drums. With a whole lot of room sound. Along with contributions from my good friend and incredible musician, The Wind — and the pilates class next door.
It’s just over ten hours of material and not necessarily intended to be consumed in its entirety, but can be a great companion for tuning out - or augmenting - your surroundings; on long plane rides, train rides, long walks in industrial areas or by the sea or anywhere you want to take it.
released November 20, 2023
Afritað 19.3. 2024 af:
https://aegir.bandcamp.com/album/bridges-ii
Útgáfunúmer: HAUKURBROT2023PR
Útgáfudagur: 9.6.2023
Strikamerki: 5690452906644
[Haukur H er Haukur Ægir Hauksson.]
Hljóðskrá og upplýsingar 20.7. 2023: Alda Music (dreifing).
Kom einnig út á samnefndri hljómplötu.
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Afritað 2.9. 2019 af: https://deadherring.bandcamp.com/album/dead-herring-grit-teeth-split-7
Kom einnig út á samnefndri hljómplötu.
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Afritað 2.9. 2019 af: https://deadherring.bandcamp.com/album/dead-herring-grit-teeth-split-7
Kom einnig út á samnefndri hljómplötu.
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Afritað 2.9. 2019 af: https://deadherring.bandcamp.com/album/dead-herring-grit-teeth-split-7
Kom einnig út á samnefndri hljómplötu.
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Afritað 2.9. 2019 af: https://deadherring.bandcamp.com/album/dead-herring-grit-teeth-split-7
Birkir Óli Barkarson 1990-; Dagur Bollason 1991-; Hörður Lúðvíksson 1991-; Jón Már Ásbjörnsson 1991-
Útgefandi:
Why not? Plötur!
Athugasemd:
Kom einnig út á samnefndri hljómplötu.
Grit Teeth eru: Dagur Bollason, bassi, söngur ; Jón Már Ásbjörnsson, gítar, söngur ; Hörður Lúðvíksson, gítar, söngur ; Birkir Óli Barkarson, trommur.
Afritað 2.9. 2019 af: https://deadherring.bandcamp.com/album/dead-herring-grit-teeth-split-7
Birkir Óli Barkarson 1990-; Dagur Bollason 1991-; Hörður Lúðvíksson 1991-; Jón Már Ásbjörnsson 1991-
Útgefandi:
Why not? Plötur!
Athugasemd:
Kom einnig út á samnefndri hljómplötu.
Grit Teeth eru: Dagur Bollason, bassi, söngur ; Jón Már Ásbjörnsson, gítar, söngur ; Hörður Lúðvíksson, gítar, söngur ; Birkir Óli Barkarson, trommur.
Afritað 2.9. 2019 af: https://deadherring.bandcamp.com/album/dead-herring-grit-teeth-split-7
Birkir Óli Barkarson 1990-; Dagur Bollason 1991-; Hörður Lúðvíksson 1991-; Jón Már Ásbjörnsson 1991-
Útgefandi:
Why not? Plötur!
Athugasemd:
Kom einnig út á samnefndri hljómplötu.
Grit Teeth eru: Dagur Bollason, bassi, söngur ; Jón Már Ásbjörnsson, gítar, söngur ; Hörður Lúðvíksson, gítar, söngur ; Birkir Óli Barkarson, trommur.
Afritað 2.9. 2019 af: https://deadherring.bandcamp.com/album/dead-herring-grit-teeth-split-7
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
Dead Herring eru: Ægir Sindri Bjarnason, trommur; Ylfa Þöll Ólafsdóttir, söngur; Kristján Friðbjörn Sigurðsson, gítar.
Upplýsingar af Bandcamp:
Recorded by Alison MacNeil.
Mixed by Ægir Sindri Bjarnason.
Artwork and design by Ylfa Þöll Ólafsdóttir.
Released by Why not? Plötur.
Afritað 21.5. 2019 af: https://deadherring.bandcamp.com/album/drowned-in-rock
