Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Albert Finnbogason: Moog on ‘The Generating Station’ & ‘Pretty Late’
Rögnvaldur Borgþórsson: Electric guitar on ’The Generating Station’ & ‘Pretty Late’, lap steel on ‘100.000 Streets’
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Albert Finnbogason: Moog on ‘The Generating Station’ & ‘Pretty Late’
Rögnvaldur Borgþórsson: Electric guitar on ’The Generating Station’ & ‘Pretty Late’, lap steel on ‘100.000 Streets’
Guðmundur Ari Arnalds: Electronics on ‘Vol’ & ‘Pretty Late’
Ragnheiður Ingunn Jóhannsdóttir: Violin on ‘Pretty Late’
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Skúli Sverrisson: Acoustic bass on ‘Holt’
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Guðmundur Ari Arnalds: Electronics on ‘Vol’ & ‘Pretty Late’
Magnús Trygvason Eliassen: Percussion on ‘Vol’
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Rögnvaldur Borgþórsson: Electric guitar on ’The Generating Station’ & ‘Pretty Late’, lap steel on ‘100.000 Streets’
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Albert Finnbogason: Moog on ‘The Generating Station’ & ‘Pretty Late’
Rögnvaldur Borgþórsson: Electric guitar on ’The Generating Station’ & ‘Pretty Late’, lap steel on ‘100.000 Streets’
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Albert Finnbogason: Moog on ‘The Generating Station’ & ‘Pretty Late’
Rögnvaldur Borgþórsson: Electric guitar on ’The Generating Station’ & ‘Pretty Late’, lap steel on ‘100.000 Streets’
Guðmundur Ari Arnalds: Electronics on ‘Vol’ & ‘Pretty Late’
Ragnheiður Ingunn Jóhannsdóttir: Violin on ‘Pretty Late’
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Skúli Sverrisson: Acoustic bass on ‘Holt’
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Guðmundur Ari Arnalds: Electronics on ‘Vol’ & ‘Pretty Late’
Magnús Trygvason Eliassen: Percussion on ‘Vol’
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Rögnvaldur Borgþórsson: Electric guitar on ’The Generating Station’ & ‘Pretty Late’, lap steel on ‘100.000 Streets’
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
